{"id":74834,"date":"2018-03-09T23:19:56","date_gmt":"2018-03-09T23:19:56","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/evolucion-y-analisis-en-la-obra-escultorica-de-paco-pestana\/"},"modified":"2018-03-09T23:19:56","modified_gmt":"2018-03-09T23:19:56","slug":"evolucion-y-analisis-en-la-obra-escultorica-de-paco-pestana","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/evolucion-y-analisis-en-la-obra-escultorica-de-paco-pestana\/","title":{"rendered":"Evoluci\u00f3n y an\u00e1lisis en la obra escult\u00f3rica de paco pestana"},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Mart\u00ednez Fern\u00e1ndez Miguel \u00e1ngel <\/strong><\/h2>\n<p>La tesis se estructura en cuatro partes bien diferenciadas.  la primera de ellas es el estudio te\u00f3rico donse se analiza el contexto art\u00edstico de galicia y los primeros contactos del artista paco pestana con el arte, sus primeras exposiciones y la evoluci\u00f3n de su obra escult\u00f3rica.  la segunda contine documentaci\u00f3n escrita donde se han seleccionado veinti\u00fan textos, de los cuales todos son del escultor paco pestana excepto dos.  la tercera posee la documentaci\u00f3n gr\u00e1fica que se presenta cronol\u00f3gicamente para que se pueda visualizar la evoluci\u00f3n de su obra desde 1975 hasta 2003.  la cuarta contine las conclusiones donde se plantea la literatura como un elemento principal en su obra, as\u00ed como la naturaleza y un inter\u00e9s por la cultura popular.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Evoluci\u00f3n y an\u00e1lisis en la obra escult\u00f3rica de paco pestana<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Evoluci\u00f3n y an\u00e1lisis en la obra escult\u00f3rica de paco pestana <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Mart\u00ednez Fern\u00e1ndez Miguel \u00e1ngel <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Vigo<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 21\/06\/2005<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Jose Chavete Rodriguez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: agust\u00edn Ramos irizar <\/li>\n<li>Juan  Carlos Meana Martinez (vocal)<\/li>\n<li>pedro Osakar olaiz (vocal)<\/li>\n<li>Juan Loeck hern\u00e1ndez (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Mart\u00ednez Fern\u00e1ndez Miguel \u00e1ngel La tesis se estructura en cuatro partes bien diferenciadas. la primera de ellas [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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