{"id":74847,"date":"2018-03-09T23:19:56","date_gmt":"2018-03-09T23:19:56","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/relacion-corporal-en-la-obra-escultorica-tamano-y-proporcion-como-elemento-implicado-en-la-percepcion-tridimensional\/"},"modified":"2018-03-09T23:19:56","modified_gmt":"2018-03-09T23:19:56","slug":"relacion-corporal-en-la-obra-escultorica-tamano-y-proporcion-como-elemento-implicado-en-la-percepcion-tridimensional","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/relacion-corporal-en-la-obra-escultorica-tamano-y-proporcion-como-elemento-implicado-en-la-percepcion-tridimensional\/","title":{"rendered":"Relaci\u00f3n corporal en la obra escult\u00f3rica: tama\u00f1o y proporci\u00f3n como elemento implicado en la percepci\u00f3n tridimensional"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Silvia Puig Pag\u00e9s <\/strong><\/h2>\n<p>Investigaci\u00f3n sobre el tama\u00f1o de los objetos f\u00edsicos en relaci\u00f3n al ser humano. Con un especial \u00e9nfasis en la escultura del siglo xx. Se muestran que las medidas de los objetos no es algo puramente m\u00e9trico y neutro sino que hay una manera de ser, un \u00abcar\u00e1cter\u00bb, una \u00abpersonalidad\u00bb, una tendencia psicol\u00f3gica, etc.., Para cada tama\u00f1o.  ese car\u00e1cter viene provocado por varios factores ya que cada objeto, seg\u00fan sus dimensiones, condiciona las circunstancias de percepci\u00f3n y relaci\u00f3n con el individuo.  se organizan todos los tama\u00f1os posibles en varios grupos, seg\u00fan las circunstancias de percepci\u00f3n y relaci\u00f3n comunes. As\u00ed se obtiene una clasificaci\u00f3n de las medidas de los objetos tridimensionales.  a partir de aqu\u00ed se analizan diversos ejemplos de piezas de tama\u00f1os crecientes, observando la tendencia psicol\u00f3gica y c\u00f3mo \u00e9sta viene relacionada con sus medidas. As\u00ed se busca esclarecer las causas por las cuales una obra tiene una magnitud concreta y no otra, con la idea de que no existe un tama\u00f1o mejor que otro sino una adecuaci\u00f3n expresiva diferente en cada caso.  establecer esta vinculaci\u00f3n entre medidas y tendencia psicol\u00f3gica es de m\u00e1ximo inter\u00e9s a fin de poder seleccionar aquella m\u00e1s pertinente para los objetivos del creador.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Relaci\u00f3n corporal en la obra escult\u00f3rica: tama\u00f1o y proporci\u00f3n como elemento implicado en la percepci\u00f3n tridimensional<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Relaci\u00f3n corporal en la obra escult\u00f3rica: tama\u00f1o y proporci\u00f3n como elemento implicado en la percepci\u00f3n tridimensional <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Silvia Puig Pag\u00e9s <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Barcelona<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 22\/06\/2005<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Josep Roy Dolcet<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal:  Cerd\u00e1 i farr\u00e9 josep m. <\/li>\n<li>Antonio Pizza de nanno (vocal)<\/li>\n<li>natividad Naval\u00f3n bl\u00e9 (vocal)<\/li>\n<li>carles Mauricio falqueras (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Silvia Puig Pag\u00e9s Investigaci\u00f3n sobre el tama\u00f1o de los objetos f\u00edsicos en relaci\u00f3n al ser humano. Con [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[951,147,4363,1111],"tags":[61505,161987,161985,61262,161986,161984],"class_list":["post-74847","post","type-post","status-publish","format-standard","hentry","category-barcelona","category-ciencias-de-las-artes-y-las-letras","category-escultura","category-teoria-analisis-y-critica-de-las-bellas-artes","tag-antonio-pizza-de-nanno","tag-carles-mauricio-falqueras","tag-cerda-i-farre-josep-m","tag-josep-roy-dolcet","tag-natividad-navalon-ble","tag-silvia-puig-pages"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/74847","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=74847"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/74847\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=74847"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=74847"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=74847"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}