{"id":75007,"date":"2018-03-09T23:20:08","date_gmt":"2018-03-09T23:20:08","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-imagen-fugazen-el-umbral-entre-fotografa-y-pelcula-como-representacin-de-la-imagen-mental\/"},"modified":"2018-03-09T23:20:08","modified_gmt":"2018-03-09T23:20:08","slug":"la-imagen-fugazen-el-umbral-entre-fotografa-y-pelcula-como-representacin-de-la-imagen-mental","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/la-imagen-fugazen-el-umbral-entre-fotografa-y-pelcula-como-representacin-de-la-imagen-mental\/","title":{"rendered":"La imagen fugaz,en el umbral entre fotografa y pelcula, como representacin de la imagen mental"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Stefanie Shulte <\/strong><\/h2>\n<p>Partiendo desde el origen de la fotografia, en el que la imagen estaba unida a su soporte por el caractyer objetual del mismo, llegaremios al estado actual de la foograf\u00eda, en el que la imagen puede ser ncodigo abstracto guardado en un soporte abtracto que requiere un mecanismo de decodificacin para volver visible ua imagen impalpable.  analizaremos la influencia que ha tenido este camio del caracter de la fotograf\u00eda tantoe la mirada del fotografo como en la mirada del espectador.Veremos que noslo el contenido e la fotograf\u00eda, sobre todo el de la art\u00edstica, se ha modificado notblemente. Gracias a su caracter abstracto, que le permite moverse por el mundo entero a gran velocidad, y que lepermite decubrirnos visiones indirectas de dimensiones que ser\u00edan inaccesbles al ojo sin la ayuda de dispositivoas t\u00e9cnicos, la fotograf\u00eda ha cabiado el concepto de lo que entendemos por real: dentrode lamemoria se van mezclando los recuerdos btenidos a trav\u00e9s de la miraa directa con los recuerdos de la mirada indirecta.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La imagen fugaz,en el umbral entre fotografa y pelcula, como representacin de la imagen mental<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La imagen fugaz,en el umbral entre fotografa y pelcula, como representacin de la imagen mental <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Stefanie Shulte <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Miguel hern\u00e1ndez de elche<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 24\/06\/2005<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Fernando Machado Baldasano<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: ram\u00f3n D\u00edaz padilla <\/li>\n<li> Perez jofe santesmases ignacio (vocal)<\/li>\n<li>Jos\u00e9 Albelda raga (vocal)<\/li>\n<li>Manuel Velez cea (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Stefanie Shulte Partiendo desde el origen de la fotografia, en el que la imagen estaba unida a [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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