{"id":75375,"date":"2005-05-07T00:00:00","date_gmt":"2005-05-07T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/gestos-affectus-la-retorica-de-los-afectos-y-la-introduccion-en-espana-del-drama-musical-barroco\/"},"modified":"2005-05-07T00:00:00","modified_gmt":"2005-05-07T00:00:00","slug":"gestos-affectus-la-retorica-de-los-afectos-y-la-introduccion-en-espana-del-drama-musical-barroco","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/gestos-affectus-la-retorica-de-los-afectos-y-la-introduccion-en-espana-del-drama-musical-barroco\/","title":{"rendered":"Gestos affectus. la ret\u00f3rica de los afectos y la introducci\u00f3n en espa\u00f1a del drama musical barroco."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Luc\u00eda D\u00edaz Marroquin <\/strong><\/h2>\n<p>El t\u00e9rmino afecto es uno de los conceptos universales dentro de la  historia art\u00edstica europea. Su historia se extiende desde los tiempos del  aristotelismo hasta la puesta al d\u00eda de la teor\u00eda pat\u00e9tica y po\u00e9tica cl\u00e1sica  en los tiempos del racionalismo y de la expansi\u00f3n del pensamiento  jesu\u00edtico postridentino. De afectos tratan desde los te\u00f3ricos, m\u00fasicos y  libretistas italianos del renacimiento hasta los dramaturgos espa\u00f1oles  del barroco, pasando por cientos de tratadistas musicales y maestros de  ret\u00f3rica y po\u00e9tica italianos, espa\u00f1oles, ingleses, franceses y alemanes  \ud83d\ude42 que compusieron sus obras entre los siglos xvii y xix. La dimensi\u00f3n  afectuosa resulta as\u00ed ineludible en la interpretaci\u00f3n de la herencia  textual, musical y visual heredera del humanismo.  la dimensi\u00f3n afectiva, codificada bajo el aspecto \u00e9tico en un principio,  y extralimitada en forma pasional en los tiempos del racionalismo es la  que da pie a cualquier reconstrucci\u00f3n contempor\u00e1nea de las t\u00e9cnicas de  interpretaci\u00f3n cl\u00e1sicas para repertorios como el drama musical barroco.  las t\u00e9cnicas gestuales que describen los tratados de ret\u00f3rica cl\u00e1sicos y  las descripciones de las t\u00e9cnicas de la oratoria sacra, junto con diversos  testimonios presentes en tratados de po\u00e9tica y de m\u00fasica espa\u00f1oles,  italianos, franceses, alemanes, ingleses, etc. Sirven para poner en pie  una teor\u00eda de la interpretaci\u00f3n vocal, musical y gestual similar a la que  pudo servir en su momento para la interpretaci\u00f3n teatral. Estas fuentes  resultan \u00fatiles, igualmente, para toda reconstrucci\u00f3n y puesta en escena  tctual de los repertorios dram\u00e1ticos barrocos.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Gestos affectus. la ret\u00f3rica de los afectos y la introducci\u00f3n en espa\u00f1a del drama musical barroco.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Gestos affectus. la ret\u00f3rica de los afectos y la introducci\u00f3n en espa\u00f1a del drama musical barroco. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Luc\u00eda D\u00edaz Marroquin <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 05\/07\/2005<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Angel Gomez Moreno<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: nicasio Salvador Miguel <\/li>\n<li>Fernando G\u00f3mez redondo (vocal)<\/li>\n<li>luciano Garc\u00eda lorenzo (vocal)<\/li>\n<li>Antonio Ezquerro esteban (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Luc\u00eda D\u00edaz Marroquin El t\u00e9rmino afecto es uno de los conceptos universales dentro de la historia art\u00edstica [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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