{"id":76173,"date":"2018-03-09T23:21:31","date_gmt":"2018-03-09T23:21:31","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/visiones-desde-el-exilio-modernidad-y-posmodernidad-frente-a-la-escision-entre-el-hombre-y-el-mundo\/"},"modified":"2018-03-09T23:21:31","modified_gmt":"2018-03-09T23:21:31","slug":"visiones-desde-el-exilio-modernidad-y-posmodernidad-frente-a-la-escision-entre-el-hombre-y-el-mundo","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/visiones-desde-el-exilio-modernidad-y-posmodernidad-frente-a-la-escision-entre-el-hombre-y-el-mundo\/","title":{"rendered":"Visiones desde el exilio. modernidad y posmodernidad frente a la escisi\u00f3n entre el hombre y el mundo"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Francisco Javier Garcer\u00e1 Ruiz <\/strong><\/h2>\n<p>A partir de la observaci\u00f3n de ciertas propuestas del arte contempor\u00e1neo que plantean insistentemente una reflexi\u00f3n sobre la persistencia de la escisi\u00f3n entre el hombre y el mundo, se presenta un estudio interdisciplinar de un nudo complejo y problem\u00e1tico que se ha denominado sentimiento de exilio.  centr\u00e1ndose temporalmente en el periodo que va desde el inicio de la modernidad hasta nuestros d\u00edas, y a trav\u00e9s de las manifestaciones art\u00edsticas, literarias y filos\u00f3ficas que en \u00e9ste se han generado, el trabajo plantea una an\u00e1lisis de la naturaleza y la evoluci\u00f3n de tal sentimiento de exilio, entendido como una inevitable actitud de desarraigo y extra\u00f1eza que ha servido de est\u00edmulo a la creaci\u00f3n en cualquiera de sus expresiones.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Visiones desde el exilio. modernidad y posmodernidad frente a la escisi\u00f3n entre el hombre y el mundo<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Visiones desde el exilio. modernidad y posmodernidad frente a la escisi\u00f3n entre el hombre y el mundo <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Francisco Javier Garcer\u00e1 Ruiz <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 15\/09\/2005<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Mar\u00eda S\u00e1nchez Cifuentes<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: jos\u00e9 S\u00e1nchez-carralero l\u00f3pez <\/li>\n<li> Forriols gonz\u00e1lez ricardo Javier (vocal)<\/li>\n<li> Blasco carrascosa Juan  \u00e1ngel (vocal)<\/li>\n<li> Arce carrascosa Jos\u00e9 Luis (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Francisco Javier Garcer\u00e1 Ruiz A partir de la observaci\u00f3n de ciertas propuestas del arte contempor\u00e1neo que plantean [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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