{"id":76183,"date":"2018-03-09T23:21:31","date_gmt":"2018-03-09T23:21:31","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/fundamentos-para-un-arte-invisible-el-caso-de-wordwordword-de-rogelio-lopez-cuenca\/"},"modified":"2018-03-09T23:21:31","modified_gmt":"2018-03-09T23:21:31","slug":"fundamentos-para-un-arte-invisible-el-caso-de-wordwordword-de-rogelio-lopez-cuenca","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/fundamentos-para-un-arte-invisible-el-caso-de-wordwordword-de-rogelio-lopez-cuenca\/","title":{"rendered":"Fundamentos para un arte invisible. el caso de word$word$word$ de rogelio l\u00f3pez cuenca."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Carlos Miranda Mas <\/strong><\/h2>\n<p>Esta investigaci\u00f3n propone la categor\u00eda del arte invisible, en relaci\u00f3n a sus modos de manifestaci\u00f3n y actuaci\u00f3n en el espacio p\u00fablico. La condici\u00f3n de invisibilidad como arte que podemos observar en estos comportamientos de arte p\u00fablico es analizada como problematizaci\u00f3n del arte moderno en cuanto que distinci\u00f3n de sus obras respecto al resto de las cosas del mundo. se plantea una cr\u00edtica y propuesta de superaci\u00f3n, pues, de la idea moderna de autonom\u00eda del arte (perfectamente vigente en el arte contempor\u00e1neo) desde la integraci\u00f3n y disoluci\u00f3n visual en el paisaje urbano que suponen las intervenciones de arte invisible. Para ello se realiza un recorrido por cinco vectores de fundamentaci\u00f3n de esta figura, en relaci\u00f3n, primero a las modificaciones del sujeto est\u00e9tico contempor\u00e1neo al que se dirige, segundo a una cr\u00edtica de las tesis esencialistas y trascendentalistas que propugnan la eternidad del arte, tercero a la propia problematizaci\u00f3n de la condici\u00f3n aut\u00f3noma del arte, cuarto a la descripci\u00f3n del proceso que observamos de pragmatizaci\u00f3n de la operaci\u00f3n art\u00edstica, y quinto al estudio de los nuevos territorios de manifestaci\u00f3n que implican estos modos del arte que se analizan. La tesis observa como caso particular la intervenci\u00f3n word$word$word$ (1994) del artista rogelio l\u00f3pez cuenca, e incluye una recopilaci\u00f3n completa de la obra p\u00fablica del autor desde sus inicios hasta enero de 2005.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Fundamentos para un arte invisible. el caso de word$word$word$ de rogelio l\u00f3pez cuenca.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Fundamentos para un arte invisible. el caso de word$word$word$ de rogelio l\u00f3pez cuenca. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Carlos Miranda Mas <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Granada<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 15\/09\/2005<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Juan  Jose Cabrera Contreras<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: f\u00e9lix Duque pajuelo <\/li>\n<li>Luis Puelles romero (vocal)<\/li>\n<li>pedro Osakar olaiz (vocal)<\/li>\n<li>el\u00edas Miguel P\u00e9rez Garc\u00eda (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Carlos Miranda Mas Esta investigaci\u00f3n propone la categor\u00eda del arte invisible, en relaci\u00f3n a sus modos de [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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