{"id":76186,"date":"2018-03-09T23:21:31","date_gmt":"2018-03-09T23:21:31","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/gerturde-stein-una-poetica-teatral-para-el-siglo-xx\/"},"modified":"2018-03-09T23:21:31","modified_gmt":"2018-03-09T23:21:31","slug":"gerturde-stein-una-poetica-teatral-para-el-siglo-xx","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/gerturde-stein-una-poetica-teatral-para-el-siglo-xx\/","title":{"rendered":"Gerturde stein: una po\u00e9tica teatral para el siglo xx."},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Requena Pelegr\u00ed M. Teresa <\/strong><\/h2>\n<p>La tesis constituye una contribuci\u00f3n al estudio del teatro de la dramaturga estadounidense, gertrude stein (1874-1946). Identificando el principio est\u00e9tico de la aprehensi\u00f3n del presente como elemento recurrente en la producci\u00f3n dram\u00e1tica steiniana, la autora del estudio sostiene que el pensamiento y la pr\u00e1ctica teatral de gertrude stein constituye un taempio de mateteatralidad que se apoya en una constante voluntad autoreferencial y desnaturalizadora. en este sentido, la tesis muestra posibles puntos de conexi\u00f3n entre la po\u00e9tica teatral steiniana y el posmodernismo literatio. En el \u00faltimo cap\u00edtulo, se analiza el texto teatral \u00abdoctor faustus liohts the linghts\u00bb 1938 como ejemplo de las premisas est\u00e9ticas edentificadas en el estudio.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Gerturde stein: una po\u00e9tica teatral para el siglo xx.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Gerturde stein: una po\u00e9tica teatral para el siglo xx. <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Requena Pelegr\u00ed M. Teresa <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Barcelona<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 16\/09\/2005<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Angels Carabi Ribera<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: ricardo Salvat ferr\u00e9 <\/li>\n<li>barbara Ozieblo rajkowska (vocal)<\/li>\n<li> Ordu\u00f1a pizarro f. Javier (vocal)<\/li>\n<li> Narbona carri\u00f3n m. dolores (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Requena Pelegr\u00ed M. Teresa La tesis constituye una contribuci\u00f3n al estudio del teatro de la dramaturga estadounidense, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[148,951,147,1110,1111,628],"tags":[9557,8115,42274,164441,164440,1873],"class_list":["post-76186","post","type-post","status-publish","format-standard","hentry","category-analisis-literario","category-barcelona","category-ciencias-de-las-artes-y-las-letras","category-teatro","category-teoria-analisis-y-critica-de-las-bellas-artes","category-teoria-analisis-y-critica-literarios","tag-angels-carabi-ribera","tag-barbara-ozieblo-rajkowska","tag-narbona-carrion-m-dolores","tag-orduna-pizarro-f-javier","tag-requena-pelegri-m-teresa","tag-ricardo-salvat-ferre"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/76186","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=76186"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/76186\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=76186"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=76186"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=76186"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}