{"id":76267,"date":"2018-03-09T23:21:39","date_gmt":"2018-03-09T23:21:39","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/el-retablo-barroco-en-canarias-tenerife-siglos-xvii-y-xviii-estudio-tipologico-materiales-y-tecnicas\/"},"modified":"2018-03-09T23:21:39","modified_gmt":"2018-03-09T23:21:39","slug":"el-retablo-barroco-en-canarias-tenerife-siglos-xvii-y-xviii-estudio-tipologico-materiales-y-tecnicas","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/el-retablo-barroco-en-canarias-tenerife-siglos-xvii-y-xviii-estudio-tipologico-materiales-y-tecnicas\/","title":{"rendered":"El retablo barroco en canarias-tenerife siglos xvii y xviii. estudio tipologico materiales y tecnicas"},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Tudela Noguera M. De Los Angeles <\/strong><\/h2>\n<p>Esta investigaci\u00f3n desvela las claves que posibilitan la identificaci\u00f3n tipol\u00f3gica constructiva y estructural y formal de retablo barroco isle\u00f1o en tenerife.  se centra en un cat\u00e1logo concreto, que parte de las premisas hist\u00f3ricas establecidas por a. Trujillo.  cronol\u00f3gicamente situado entre la segunda mitad del s. Xvii y el primer tercio del s. Xviii.  la investigaci\u00f3n se inicia con la actualizaci\u00f3n del cat\u00e1logo y la concreci\u00f3n de la sistematizaci\u00f3n metodol\u00f3gica a trav\u00e9s de cuatro l\u00edneas de actuaci\u00f3n.  1,- aproximaci\u00f3n al concepto de retablo como construcci\u00f3n y estructura, (sistema constructivo de arquitectura portante y sistema constructivo de caja arquitect\u00f3nica).  2,- b\u00fasqueda del referente (retablos tardomanieristas, primera mitad del s. Xvii): ubicaci\u00f3n; composici\u00f3n (clasificaci\u00f3n seg\u00fan el orden arquitect\u00f3nico, talla del fuste, estructura compositiva del \u00e1tico, secci\u00f3n transversal del banco, generalidades); dorado y pol\u00edcrom\u00eda.  3,- denominador com\u00fan: antonio \u00e1lvarez (figura m\u00e1s representativa).  4,- concreci\u00f3n de la muestra; (retablos no reubicados, retablos no construidos con elementos arquitect\u00f3nicos de otros retablos y retablos que mantienen la traza).  el tomo de texto se acompa\u00f1a de un alg\u00fan que contienen 15 planos din a1, donde se desarrollan los sistemas constructivos y la aplicaci\u00f3n de los par\u00e1metros a la muestra.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>El retablo barroco en canarias-tenerife siglos xvii y xviii. estudio tipologico materiales y tecnicas<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 El retablo barroco en canarias-tenerife siglos xvii y xviii. estudio tipologico materiales y tecnicas <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Tudela Noguera M. De Los Angeles <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 La laguna<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 21\/09\/2005<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Severo Acosta Rodriguez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: teresa Eschohotado ibor <\/li>\n<li>gerardo Fuentes perez (vocal)<\/li>\n<li>enriqueta Gonz\u00e1lez Martinez (vocal)<\/li>\n<li>estanislao Gonz\u00e1lez gonz\u00e1lez (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Tudela Noguera M. De Los Angeles Esta investigaci\u00f3n desvela las claves que posibilitan la identificaci\u00f3n tipol\u00f3gica constructiva [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[147,9915],"tags":[53956,164605,26090,73990,164604,164603],"class_list":["post-76267","post","type-post","status-publish","format-standard","hentry","category-ciencias-de-las-artes-y-las-letras","category-la-laguna","tag-enriqueta-gonzalez-Martinez","tag-estanislao-gonzalez-gonzalez","tag-gerardo-fuentes-perez","tag-severo-acosta-rodriguez","tag-teresa-eschohotado-ibor","tag-tudela-noguera-m-de-los-angeles"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/76267","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=76267"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/76267\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=76267"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=76267"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=76267"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}