{"id":76443,"date":"2018-03-09T23:21:51","date_gmt":"2018-03-09T23:21:51","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/tecnicas-alternativas-puntuales-en-los-procesos-intermedios\/"},"modified":"2018-03-09T23:21:51","modified_gmt":"2018-03-09T23:21:51","slug":"tecnicas-alternativas-puntuales-en-los-procesos-intermedios","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/tecnicas-alternativas-puntuales-en-los-procesos-intermedios\/","title":{"rendered":"T\u00e9cnicas alternativas puntuales en los procesos intermedios"},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Caballero Arencibia Mar\u00eda  Del Mar <\/strong><\/h2>\n<p>Tesis te\u00f3rico-pr\u00e1ctica en la que se interrelacionan t\u00e9cnicas del grabado y la escultura desde tres n\u00facleos fundamentales: el grabado en relieve, la estampaci\u00f3n serigr\u00e1fica, y la fundici\u00f3n art\u00edstica. Los procesos, materiales y t\u00e9cnicas de estas \u00e1reas de combinan para resultar una gran t\u00e9cnica mixta alternativa.  en cuanto a la funci\u00f3n: la cera, los vaciados, los moldes, los trabajos en plancha de barro.  en cuanto al grabado y la serigraf\u00eda: la estampaci\u00f3n, realizaci\u00f3n de marices mediante procedimientos tradicionales, t\u00e9cnicas mixtas y alternativas.  se obtiene, del grabado, la reproducci\u00f3n en serie y la aplicaci\u00f3n de im\u00e1genes a la escultura en metal; y de la fundici\u00f3n, el convertir las mismas formas grabadas o estampas en escultura en s\u00ed dispuestas a una manipulaci\u00f3n, transformaci\u00f3n, combinaci\u00f3n y\/o composici\u00f3n.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>T\u00e9cnicas alternativas puntuales en los procesos intermedios<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 T\u00e9cnicas alternativas puntuales en los procesos intermedios <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Caballero Arencibia Mar\u00eda  Del Mar <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 La laguna<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 29\/09\/2005<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Atilio Doreste Alonso<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Juan  Carlos Albaladejo gonz\u00e1lez <\/li>\n<li> Guillen ram\u00f3n Jos\u00e9 Manuel (vocal)<\/li>\n<li>Jos\u00e9 Saborit viguer (vocal)<\/li>\n<li>Juan  Francisco Acosta torres (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Caballero Arencibia Mar\u00eda Del Mar Tesis te\u00f3rico-pr\u00e1ctica en la que se interrelacionan t\u00e9cnicas del grabado y la [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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