{"id":76751,"date":"2018-03-09T23:22:11","date_gmt":"2018-03-09T23:22:11","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/el-diseno-de-la-indumentaria-en-las-fiestas-de-moros-y-cristianos-de-alcoy\/"},"modified":"2018-03-09T23:22:11","modified_gmt":"2018-03-09T23:22:11","slug":"el-diseno-de-la-indumentaria-en-las-fiestas-de-moros-y-cristianos-de-alcoy","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/el-diseno-de-la-indumentaria-en-las-fiestas-de-moros-y-cristianos-de-alcoy\/","title":{"rendered":"El dise\u00f1o de la indumentaria en las fiestas de moros y cristianos de alcoy"},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Gregori Galindo Mar\u00eda Dolores <\/strong><\/h2>\n<p>La tesis se centra en el estudio del dise\u00f1o, evoluci\u00f3n e influencias socioculturales y est\u00e9ticas en la indumentaria de las \u00abfilaes\u00bb de las fiestas de moros y cristianos de alcoy. Algunos apartados de esta tesis, tratan de centrar el car\u00e1cter de la fiesta, sus or\u00edgenes, aspectos generales, etc. Como base para entender el por qu\u00e9 se crean y existen unos trajes de fiestas, que han ido cambiando con el tiempo, no como moda sino como evoluci\u00f3n, hacia una indumentaria m\u00e1s acorde con la \u00e9poca de la reconquista.  de esta manera se ha realizado un breve recorrido a lo largo de la historia de la evoluci\u00f3n del dise\u00f1o en la indumentaria festera y sus posibles influencias.  otro prop\u00f3sito de esta tesis ha sido el organizar y reunir las fuentes gr\u00e1ficas de las distintas \u00e9pocas encontradas sobre cada una de las \u00abfilaes\u00bb actuales, que nos ha permitido analizar la evoluci\u00f3n de la indumentaria festera. Se estudian los diferentes cambios de la indumentaria a lo largo de la historia haciendo un an\u00e1lisis comparativo con el traje festero actual, incluyendo un estudio de los colores predominantes en la indumentaria de cada \u00abfil\u00ed\u00a0\u00ab.  durante varias d\u00e9cadas el dise\u00f1o de la indumentaria, ha suscitado poco inter\u00e9s por parte de los art\u00edfices de la fiesta, as\u00ed como de los estudiosos que han tratado el tema.  los grupos festeros fueron adoptando denominaciones e indumentaria al margen de la realidad hist\u00f3rica e impulsados por la realidad social del momento. ello obliga a poner l\u00edmite a las extravagancias en los dise\u00f1os y en las denominaciones, por lo cual, la asociaci\u00f3n de san jorge aprueba el reglamento de 1900 y exigiendo que el dise\u00f1o corresponda a tipos, tanto moros como cristianos que hayan existido en la pen\u00ednsula durante las \u00e9pocas de la denominaci\u00f3n \u00e1rabe y la reconquista.  la indumentaria de las \u00abfilaes\u00bb ha tenido muchas variaciones, especialmete en el bando cristiano. En el bando moro, se encuentra influencia \u00abturca\u00bb, aun<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>El dise\u00f1o de la indumentaria en las fiestas de moros y cristianos de alcoy<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 El dise\u00f1o de la indumentaria en las fiestas de moros y cristianos de alcoy <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Gregori Galindo Mar\u00eda Dolores <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Polit\u00e9cnica de Valencia<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 19\/10\/2005<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Manuel Silvestre Visa<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Antonio Tom\u00e1s sanmart\u00edn <\/li>\n<li>adr\u00edan Esp\u00ed vald\u00e9s (vocal)<\/li>\n<li>Miguel Ruiz massip (vocal)<\/li>\n<li>carmen Garrido sanchez (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Gregori Galindo Mar\u00eda Dolores La tesis se centra en el estudio del dise\u00f1o, evoluci\u00f3n e influencias socioculturales [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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