{"id":76804,"date":"2018-03-09T23:22:15","date_gmt":"2018-03-09T23:22:15","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/el-arbol-del-arte-matriz-trans-sensorial-e-intersubjetiva-para-el-arte-no-visual-y-el-silencio-del-yo-artistico\/"},"modified":"2018-03-09T23:22:15","modified_gmt":"2018-03-09T23:22:15","slug":"el-arbol-del-arte-matriz-trans-sensorial-e-intersubjetiva-para-el-arte-no-visual-y-el-silencio-del-yo-artistico","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/estetica-de-las-bellas-artes\/el-arbol-del-arte-matriz-trans-sensorial-e-intersubjetiva-para-el-arte-no-visual-y-el-silencio-del-yo-artistico\/","title":{"rendered":"El arbol del arte, matriz trans-sensorial e intersubjetiva para el arte no visual y el silencio del yo artistico"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Cristina Miranda De Almeida De Barros <\/strong><\/h2>\n<p>Pese a las evidencias contrarias, tanto te\u00f3ricas como poi\u00e9ticas, todav\u00eda estamos inmersos en un mito, el mito de la visualidad retinina, que afirma la centralidad de la visi\u00f3n de la percepci\u00f3n en el arte. En esta investigaci\u00f3n planteo la hip\u00f3tesis de que el arte es siempre, en alg\u00fan grado, un proceso multidimensional, trans-sensorial e intersubjetivo.     para la reconstrucci\u00f3n del mito de la visualidad retiniana he optado por construir una forma alternativa de definir la percepci\u00f3n a trav\u00e9s de la creaci\u00f3n de la matriz del \u00e1rbol del arte. Esta matriz, que permite el an\u00e1lisis multidimensional del arte. Est\u00e1 compuesta por dos modelos, el modelo del \u00e1rbol del arte y el modelo del tractor intersubjetivo. Realizada a partir de los modos de pensamiento t\u00edpicos del arte, tiene como uno de sus objetivos facilitar enlaces entre el arte y la ciencia. Por otro lado, la matriz es el resultado de las hip\u00f3tesis de realidad provenientes de los paradigmas creativos utilizados pro los artistas.     esta matriz est\u00e1 sustentada en diversas teor\u00edas que, aunque formuladas en ocasiones desde puntos de vista opuestos, componen un mosaico en el que cada fragmento tambi\u00e9n contribuye a su comprensi\u00f3n y construcci\u00f3n.     la matriz del \u00e1rbol del arte busca responder afirmativamente a la pregunta sobre si el arte puede ofrecer modelos de realidad.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>El arbol del arte, matriz trans-sensorial e intersubjetiva para el arte no visual y el silencio del yo artistico<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 El arbol del arte, matriz trans-sensorial e intersubjetiva para el arte no visual y el silencio del yo artistico <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Cristina Miranda De Almeida De Barros <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Pa\u00eds vasco\/euskal herriko unibertsitatea<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 21\/10\/2005<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Inmaculada Jimenez Huertas<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: manuel Parralo dorado <\/li>\n<li> Muzquiz perez de seoane matilde (vocal)<\/li>\n<li>helene Saule-sorbe (vocal)<\/li>\n<li>xavier Franquesa llopart (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Cristina Miranda De Almeida De Barros Pese a las evidencias contrarias, tanto te\u00f3ricas como poi\u00e9ticas, todav\u00eda estamos [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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