{"id":76827,"date":"2018-03-09T23:22:15","date_gmt":"2018-03-09T23:22:15","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/arte-colectivo-neopop-en-el-madrid-de-los-90\/"},"modified":"2018-03-09T23:22:15","modified_gmt":"2018-03-09T23:22:15","slug":"arte-colectivo-neopop-en-el-madrid-de-los-90","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/arte-colectivo-neopop-en-el-madrid-de-los-90\/","title":{"rendered":"Arte colectivo neopop en el Madrid de los 90"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Almudena Baeza Medina <\/strong><\/h2>\n<p>Dirigido por el profesor jaime gonz\u00e1lez de aledo codina, el trabajo se titula arte colectivo neopop en el Madrid de los 90 y analiza, sobre todo, la obra de los grupos estrujenbank, preiswert, libres para siempre y empresa.     la trayectoria de estos grupos constituye un fen\u00f3meno original frente a las propuestas de otros colectivos contempor\u00e1neos que operaron en la capital (el perro, la nevera, fast food) y de otros que lo hicieron en otras comunidades (equipo l\u00edmite, arte y electricidad) y en otros periodos de tiempo (equipo cr\u00f3nica, equipo 57).     el t\u00e9rmino neopop define el estilo de estos equipos como centrado en retratar al receptor popular de los 90 y en reproducir su consumo impertinente o creativo que es un hacer. A lo largo de la tesis, se recrea el proceso de construcci\u00f3n de las obras de los equipos a examen lo que, secundariamente, arroja una serie de determinaciones sobre el arte colectivo en general. En este sentido, este trabajo aspira tambi\u00e9n a mostrar su validez para el an\u00e1lisis de otras tendencias art\u00edsticas de los 90 donde el proceso creativo constituye un elemento relevante para su comprensi\u00f3n.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Arte colectivo neopop en el Madrid de los 90<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Arte colectivo neopop en el Madrid de los 90 <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Almudena Baeza Medina <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 24\/10\/2005<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Jaime Gonzalez De Aledo Codina<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: mercedes Replinger gonz\u00e1lez <\/li>\n<li>teresa Mar\u00edn Garc\u00eda (vocal)<\/li>\n<li>mart\u00ed Peran rafart (vocal)<\/li>\n<li>josu Rekalde izaguirre (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Almudena Baeza Medina Dirigido por el profesor jaime gonz\u00e1lez de aledo codina, el trabajo se titula arte [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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