{"id":77265,"date":"2018-03-09T23:22:44","date_gmt":"2018-03-09T23:22:44","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/capturar-forma-con-artes-prohibidas\/"},"modified":"2018-03-09T23:22:44","modified_gmt":"2018-03-09T23:22:44","slug":"capturar-forma-con-artes-prohibidas","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/sevilla\/capturar-forma-con-artes-prohibidas\/","title":{"rendered":"Capturar forma con artes prohibidas"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Carlos Tapia Mart\u00edn <\/strong><\/h2>\n<p>Esta tesis doctoral explora la relaci\u00f3n intrincada de la investigaci\u00f3n con la informaci\u00f3n que acude a ella para poder acometerla. En lo virtual ya no hay materia, y la virtud de nuestro mundo, lo conocemos por sus s\u00edntomas, estar\u00e1 en saber hacer un adecuado tr\u00e1nsito desde el saber enciclop\u00e9dico al saber-en-ciclos, relacionalmente, completamente. por ello, intentar recrear en lo anal\u00f3gico lo digital, no deja de ser una contradicci\u00f3n. No es posible que este objeto papel contenga el sentido de la tesis, ni seria coherente volcar el conjunto delo almacenado durante varios a\u00f1os. Eso ser\u00eda como una doble buscando su yo, una tautolog\u00eda de la forma que se espanta de si misma cuando por fin se encuentran. El doble camino, o lo que la literatura de ficci\u00f3n llama doppelganger, para decantar el proceso de investigaci\u00f3n en una forma, interrumpida moment\u00e1neamente es, como en esa figura fantasm\u00e1tica, una posibilidad de interferenciar o incluso de ser otra cosa diferente, y puede que con sentido, pero como todo en nuestro  tiempo tambi\u00e9n puede que pongamos en riesgo en tal dualidad los fines y los objetivos. Todo lo que aqu\u00ed se encierra, en el formato digital que se facilita, se expande en red de interactuaciones, y demanda la participaci\u00f3n.     todo lo que aqu\u00ed se representa, all\u00ed es propia realidad, dado que lo real no es sino concebido a trav\u00e9s de intermediaciones de las apariencias superficiales en parm\u00e9nides, de las ilusiones en berkeley, de las utop\u00edas en tom\u00e1s moro, de las capturas de la realistas objetiva en descartes, de la imaginaci\u00f3n en kant, en el alejamiento de las interpretaciones particulares en peirce, de la superaci\u00f3n de lo natural desde hegel hasta marx, de la ausencia en jab\u00e9s, de la experiencia en vopn glaserffeld, del simulacro en baudrillard, de la construcci\u00f3n social en bourdieu, de lo m\u00e1nrico y contra lo fenomenol\u00f3gico en ubeskind, de los etogramas de pardo y castro nogueira, del atlas en serres, de los diagramas de eisenman<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Capturar forma con artes prohibidas<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Capturar forma con artes prohibidas <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Carlos Tapia Mart\u00edn <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Sevilla<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 21\/11\/2005<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Jos\u00e9 Ramon Moreno Perez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: f\u00e9lix Duque pajuelo <\/li>\n<li>Jos\u00e9 enrique Lopez-canti morales (vocal)<\/li>\n<li>Jos\u00e9 Morales s\u00e1nchez (vocal)<\/li>\n<li> Moraza p\u00e9rez Juan  Luis (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Carlos Tapia Mart\u00edn Esta tesis doctoral explora la relaci\u00f3n intrincada de la investigaci\u00f3n con la informaci\u00f3n que [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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