{"id":77730,"date":"2018-03-09T23:23:17","date_gmt":"2018-03-09T23:23:17","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/fotografa%c2%ada-de-creacion-analisis-de-los-fondos-fotograficos-de-destacadas-instituciones-publicas-y-privadas-de-andalucia\/"},"modified":"2018-03-09T23:23:17","modified_gmt":"2018-03-09T23:23:17","slug":"fotografa%c2%ada-de-creacion-analisis-de-los-fondos-fotograficos-de-destacadas-instituciones-publicas-y-privadas-de-andalucia","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/fotografa%c2%ada-de-creacion-analisis-de-los-fondos-fotograficos-de-destacadas-instituciones-publicas-y-privadas-de-andalucia\/","title":{"rendered":"Fotograf\u00edade creaci\u00f3n: an\u00e1lisis de los fondos fotogr\u00e1ficos de destacadas instituciones p\u00fablicas y privadas de andalucia"},"content":{"rendered":"<h2>Tesis doctoral de <strong> M. Isabel Garnelo D\u00edez <\/strong><\/h2>\n<p>Creaci\u00f3n de un marco conceptual parala comprensi\u00f3n, ordenamiento y explicaci\u00f3n dela fotograf\u00eda contempor\u00e1nea de fondos p\u00fablicos y privados. Para ello se indaga en el contexto internacional, nacional, auton\u00f3mico andaluz y, por \u00faltimo, en el contexto local de la ciudad de m\u00e1laga, para esclarecer las circunstancias que permiten que a partir de 1982. La fotograf\u00eda comience a formar parte de fondos tradicionalmente constituidos por pintura, gravado o escultura. Dicho proceso de indagaci\u00f3n nos permitir\u00e1 conocer los procesos de producci\u00f3n y las estructuras sociales que rodean a la fotograf\u00eda contempor\u00e1nea, para tras el an\u00e1lisis final de los fondos de acuerdo a variables de \u00edndole descriptiva, t\u00e9cnica y conceptual, poder demostrar si los fondos seleccionados para su an\u00e1lisis, entran o no dentro de la categor\u00eda de fotograf\u00eda de creaci\u00f3n, y poder esclarecer en ambos casos las razones y diferencias que les son intr\u00ednsecas.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Fotograf\u00edade creaci\u00f3n: an\u00e1lisis de los fondos fotogr\u00e1ficos de destacadas instituciones p\u00fablicas y privadas de andalucia<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Fotograf\u00edade creaci\u00f3n: an\u00e1lisis de los fondos fotogr\u00e1ficos de destacadas instituciones p\u00fablicas y privadas de andalucia <\/li>\n<li><strong>Autor:<\/strong>\u00a0 M. Isabel Garnelo D\u00edez <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 M\u00e1laga<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 14\/12\/2005<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Demetrio Brisset Mart\u00edn<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: isidoro Coloma mart\u00edn <\/li>\n<li>concha Casaj\u00fas quir\u00f3s (vocal)<\/li>\n<li>Antonio Castillo esparcia (vocal)<\/li>\n<li> Villa ardura roc\u00edo de la (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de M. Isabel Garnelo D\u00edez Creaci\u00f3n de un marco conceptual parala comprensi\u00f3n, ordenamiento y explicaci\u00f3n dela fotograf\u00eda contempor\u00e1nea [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[147,4510,104,1014,222,7834,1111],"tags":[69323,167292,62052,98147,167291,167293],"class_list":["post-77730","post","type-post","status-publish","format-standard","hentry","category-ciencias-de-las-artes-y-las-letras","category-estetica-de-las-bellas-artes","category-historia","category-historia-del-arte","category-historias-especializadas","category-malaga","category-teoria-analisis-y-critica-de-las-bellas-artes","tag-antonio-castillo-esparcia","tag-concha-casajus-quiros","tag-demetrio-brisset-martin","tag-isidoro-coloma-martin","tag-m-isabel-garnelo-diez","tag-villa-ardura-rocio-de-la"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/77730","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=77730"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/77730\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=77730"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=77730"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=77730"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}