{"id":77947,"date":"2018-03-09T23:23:34","date_gmt":"2018-03-09T23:23:34","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-imagen-tiempo-y-sus-formas-en-el-cine-abstracto-de-1910-a-1975-deleuze-y-el-cine-eidetico\/"},"modified":"2018-03-09T23:23:34","modified_gmt":"2018-03-09T23:23:34","slug":"la-imagen-tiempo-y-sus-formas-en-el-cine-abstracto-de-1910-a-1975-deleuze-y-el-cine-eidetico","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/la-imagen-tiempo-y-sus-formas-en-el-cine-abstracto-de-1910-a-1975-deleuze-y-el-cine-eidetico\/","title":{"rendered":"La imagen-tiempo y sus formas en el cine abstracto de 1910 a 1975: deleuze y el cine eid\u00e9tico"},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Iranzo Benito Jos\u00e9 V. <\/strong><\/h2>\n<p>El trabajo busca recopilar, catalogar y reivindicar las pel\u00edculas del cine abstracto y formal realizadas en el periodo hist\u00f3rico de 1910 a 1975, con la intenci\u00f3n de establecer la historia y or\u00edgenes de las pr\u00e1cticas audiovisuales de vanguardia de car\u00e1cter abstracto y formal que se han desarrollado hasta la actualidad en el terreno electr\u00f3nico y digital.  para ello, el trabajo se centra en el concepto de tiempo como duraci\u00f3n, desarrollando los conceptos te\u00f3ricos que al respecto establece el filosofo franc\u00e9s gilles deleuze en sus estudios sobre cine, la imagen-movimiento (1984) y la imagen-tiempo (1986), basados a su vez en las teor\u00edas sobre el movimiento de bergson.  bajo este marco te\u00f3rico se han clasificado y catalogado las obras y autores del cine abstracto atendiendo a la evoluci\u00f3n de la imagen-movimiento a la imagen tiempo siguiendo las tres edades que establece deleuze para el cine en general y para este cine abstracto, o e\u00eddetico en su propia terminolog\u00eda.  se concluye la confirmaci\u00f3n e ieonidad del modelo deleuziano, aunque tambi\u00e9n la anticipaci\u00f3n de la imagen-tiempo en el cine astracto, que encontramos ya en los a\u00f1os 20 en leger y man ray, respecto a la fecha propuesta por deleuze para el cine en general, que establece en los a\u00f1os 40-50.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La imagen-tiempo y sus formas en el cine abstracto de 1910 a 1975: deleuze y el cine eid\u00e9tico<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La imagen-tiempo y sus formas en el cine abstracto de 1910 a 1975: deleuze y el cine eid\u00e9tico <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Iranzo Benito Jos\u00e9 V. <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 M\u00e1laga<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 17\/12\/2005<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Demetrio E. Brisset<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Miguel De aguilera moyano <\/li>\n<li>jean Luc lioult (vocal)<\/li>\n<li>Jes\u00fas Alcalde de isla (vocal)<\/li>\n<li>Antonio Castro bobillo (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Iranzo Benito Jos\u00e9 V. El trabajo busca recopilar, catalogar y reivindicar las pel\u00edculas del cine abstracto y [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[147,5547,7834,1111],"tags":[126538,167695,167694,167696,74748,5319],"class_list":["post-77947","post","type-post","status-publish","format-standard","hentry","category-ciencias-de-las-artes-y-las-letras","category-cinematografia","category-malaga","category-teoria-analisis-y-critica-de-las-bellas-artes","tag-antonio-castro-bobillo","tag-demetrio-e-brisset","tag-iranzo-benito-jose-v","tag-jean-luc-lioult","tag-jesus-alcalde-de-isla","tag-miguel-de-aguilera-moyano"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/77947","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=77947"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/77947\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=77947"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=77947"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=77947"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}