{"id":78688,"date":"2018-03-09T23:24:23","date_gmt":"2018-03-09T23:24:23","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/avatares-del-significante-trabajos-de-escritura-e-intervencion\/"},"modified":"2018-03-09T23:24:23","modified_gmt":"2018-03-09T23:24:23","slug":"avatares-del-significante-trabajos-de-escritura-e-intervencion","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/linguistica\/avatares-del-significante-trabajos-de-escritura-e-intervencion\/","title":{"rendered":"Avatares del significante (trabajos de escritura e intervenci\u00f3n)"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Vicente Ponce Ferrer <\/strong><\/h2>\n<p>Esta tesis, que ha tomado el nombre de avatares del significante (trabajos de escritura e intervenci\u00f3n), tiene como objetivo la investigaci\u00f3n acerca de algunas nociones adscritas tradicionalmente al campo de la ling\u00ed\u00bc\u00edstica literaria o la semi\u00f3tica de base pragm\u00e1tica o no pragm\u00e1tica tales como texto, cr\u00edtica, discurso, enunciado\/enunciaci\u00f3n, significante y, en especial, todo lo que conlleva la amplia noci\u00f3n de escritura. A partir del an\u00e1lisis de veinticinco textos, que cabr\u00eda llamar ensayos, y de cincuenta cr\u00edticas.., a partir, tambi\u00e9n, de la concordancia de ambas operaciones de escritura, que comparten metodolog\u00edas te\u00f3ricas tales como el psicoan\u00e1lisis, la teor\u00eda literaria, la semi\u00f3tica musical y el an\u00e1lisis cinematogr\u00e1fico de base textual, se trata de inferir que nexos se establecen para conformar una mirada germinativa, \u00fatil, respecto al enigma que ha supuesto, hist\u00f3ricamente, el concepto escritura al concepto habla, cuesti\u00f3n esta que ha martirizado a escritores de generaciones inmemoriales.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Avatares del significante (trabajos de escritura e intervenci\u00f3n)<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Avatares del significante (trabajos de escritura e intervenci\u00f3n) <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Vicente Ponce Ferrer <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Polit\u00e9cnica de Valencia<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 15\/02\/2006<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Josep Benlloch Serrano<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Juan  Miguel Company ramon <\/li>\n<li>Jos\u00e9 alejandro Montiel mues (vocal)<\/li>\n<li>Jos\u00e9 Rafael Saborit viguer (vocal)<\/li>\n<li>pilar Pedraza Martinez (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Vicente Ponce Ferrer Esta tesis, que ha tomado el nombre de avatares del significante (trabajos de escritura [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[147,5547,165,59,62,16820,980,1111],"tags":[16967,153740,82466,12288,31231,169081],"class_list":["post-78688","post","type-post","status-publish","format-standard","hentry","category-ciencias-de-las-artes-y-las-letras","category-cinematografia","category-filosofia","category-linguistica","category-linguistica-sincronica","category-politecnica-de-valencia","category-semiologia","category-teoria-analisis-y-critica-de-las-bellas-artes","tag-jose-alejandro-montiel-mues","tag-jose-rafael-saborit-viguer","tag-josep-benlloch-serrano","tag-juan-miguel-company-ramon","tag-pilar-pedraza-Martinez","tag-vicente-ponce-ferrer"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/78688","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=78688"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/78688\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=78688"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=78688"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=78688"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}