{"id":79015,"date":"2006-10-03T00:00:00","date_gmt":"2006-10-03T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-conciencia-tragica-en-la-poetica-cinematografica-de-pier-paolo-pasolini-elemento-configurador-de-una-estetica\/"},"modified":"2006-10-03T00:00:00","modified_gmt":"2006-10-03T00:00:00","slug":"la-conciencia-tragica-en-la-poetica-cinematografica-de-pier-paolo-pasolini-elemento-configurador-de-una-estetica","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/estilo-y-estetica-literarios\/la-conciencia-tragica-en-la-poetica-cinematografica-de-pier-paolo-pasolini-elemento-configurador-de-una-estetica\/","title":{"rendered":"La conciencia tr\u00e1gica en la po\u00e9tica cinematogr\u00e1fica de pier paolo pasolini. elemento configurador de una est\u00e9tica"},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Fern\u00e1ndez Zulueta Francisco Javier <\/strong><\/h2>\n<p>En la experiencia art\u00edstica de la cultura occidental, heredera de la grecia cl\u00e1sica, lo tr\u00e1fico se muestra como un complejo proceso dram\u00e1tico con potencial intencionalidad comunicativa: una recreaci\u00f3n de la acci\u00f3n del hombre en la realidad que concilia pensamiento y sensibilidad para exponer sus interrogantes vitales. Las razones, sentidos, explicaciones o figuraciones que propone se objetivan en momentos conyunturales marcados por circunstancias vitales concretas y por efectos pr\u00e1cticos que afirman los parad\u00f3jicos l\u00edmites del conflicto humano.     la experiencia est\u00e9tica tr\u00e1gica emplea diversos lenguajes y se manifiesta en distintos \u00e1mbitos de expresi\u00f3n: poes\u00eda, teatro, filosof\u00eda, \u00f3pera o cine. este variado conjunto desvela est\u00edmulos de un autor que afirman inquietudes existenciales y ontol\u00f3gicas. Estas interpretaciones sobre el enigma del hombre adquieren pleno sentido social, por efecto de la representaci\u00f3n y su reproducci\u00f3n, tras ser percibidas, identificadas y aprehendidas pro la conciencia colectiva.     al margen de los aspectos industriales, econ\u00f3mico, espectacular y art\u00edstico, ciertas obras cinematogr\u00e1ficas son tambi\u00e9n experiencia est\u00e9tica: espacios que recrean simb\u00f3licamente la realidad por medio de determinado uso del lenguaje y de la narrativa audiovisual. En concreto. El evangelio  seg\u00fan mateo, edipo rey y meedea, de pasolini, plantean un di\u00e1logo reflexivo, en la l\u00ednea cr\u00edtica a la modernidad, sobre la tragedia del hombre contempor\u00e1neo: la transmutaci\u00f3n de su condici\u00f3n humana en artificio mec\u00e1nico y la p\u00e9rdida de su dimensi\u00f3n sagrada.     seg\u00fan pasolini, el hombre es incapaz de vivir el futuro y de crear algo nuevo si no se relaciona con el pasado. En su obra cinematogr\u00e1fica pone en pr\u00e1ctica la propuesta neorrealista sobre la funci\u00f3n hist\u00f3rica, social y pol\u00edtica del cine. Pero la reinterpretaci\u00f3n que pasolini hace de la tradici\u00f3n no debe entenderse como una simple vuelta al pasado, sino como una reacci<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La conciencia tr\u00e1gica en la po\u00e9tica cinematogr\u00e1fica de pier paolo pasolini. elemento configurador de una est\u00e9tica<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La conciencia tr\u00e1gica en la po\u00e9tica cinematogr\u00e1fica de pier paolo pasolini. elemento configurador de una est\u00e9tica <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Fern\u00e1ndez Zulueta Francisco Javier <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Sevilla<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 10\/03\/2006<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li> Marset Fern\u00e1ndez Juan  Carlos<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: ignacio Henares cu\u00e9llar <\/li>\n<li>Juan  bosco D\u00edaz-urmeneta mu\u00f1oz (vocal)<\/li>\n<li> Romero de sol\u00eds diego (vocal)<\/li>\n<li>Alberto Ruiz de samaniego Garc\u00eda (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Fern\u00e1ndez Zulueta Francisco Javier En la experiencia art\u00edstica de la cultura occidental, heredera de la grecia cl\u00e1sica, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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