{"id":79289,"date":"2018-03-09T23:25:06","date_gmt":"2018-03-09T23:25:06","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/el-espacio-pictorico-en-la-obra-de-juan-hernandez-pijuan\/"},"modified":"2018-03-09T23:25:06","modified_gmt":"2018-03-09T23:25:06","slug":"el-espacio-pictorico-en-la-obra-de-juan-hernandez-pijuan","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/barcelona\/el-espacio-pictorico-en-la-obra-de-juan-hernandez-pijuan\/","title":{"rendered":"El espacio pict\u00f3rico en la obra de juan hern\u00e1ndez pijuan"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Ram\u00f3n Badrinas Bassas <\/strong><\/h2>\n<p>El prop\u00f3sito es situar y analizar la obra de joan hern\u00e1ndez pijuan, en su contexto \u00abconceptual\u00bb; describir el \u00abfirmamento latente del arte, la filosof\u00eda y la ciencia\u00bb, como un espectro art\u00edstico lo m\u00e1s amplio posible, relacionar y valorar en conjunto su obra. As\u00ed nos apartaremos, en la medida de lo posible, de los numerosos comentarios y escritos de los cr\u00edticos de arte, coment\u00e1ndolos junto con nuestro criterio: como base de una investigaic\u00f3n que valore y clasifique, en su justa medida, donde y como se sit\u00faa su obra en el mundo del arte; para as\u00ed \u00abconocer su espacio pict\u00f3rico\u00bb en relaci\u00f3n a sus antecesores y como consecuencia a su entorno actual. Aunque parezca que nos apartemos del \u00abtronco\u00bb mi deseo es que, en toda la informaci\u00f3n complementaria planee, ronde o deambule el \u00abesp\u00edritu\u00bb de su obra y de su pensamiento; y nos ayude por contraste a valorarlo, situarlo y conocerlo mejor. Intentaremos demostrar que joan hern\u00e1ndez pijuan no est\u00e1 donde est\u00e1 por casualidad, sino como consecuencia de una serie de acontecimientos m\u00e1s o menos \u00abancestrales\u00bb y actuales que ha sabido captar en nuestra \u00e9poca, aplicarlos, y coger su bandera.     \u00abes imposible ver el mundo, en este caso el espacio pict\u00f3rico de la obra de hern\u00e1ndez pijuan, desde el centro, tan s\u00f3lo es posible verlo atraves\u00e1ndolo en todas direcciones\u00bb.     fernando zobel, apuntaba los adjetivos que, a su entender, mejor cuadraban a hern\u00e1ndez pijuan: \u00ablimpio, sutil, riguroso, cerebral, elegante\u00bb.     la tesis se estructura en diversos apartados que conducen al n\u00facleo de nuestro an\u00e1lisis que es el espacio pict\u00f3rico.     en el primer bloque hemos cre\u00eddo conveniente situar a hern\u00e1ndez pijuan en el contexto del arte espa\u00f1ol, y en mayor medida catal\u00e1n, de su \u00e9poca, para dejar claro su personalidad diferenciada del resto de pintores, se\u00f1alando su individualidad y su libertad creativa, al margen de toda clase de modas.     un segundo bloque explica sus aspectos formales, el nouveau rom<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>El espacio pict\u00f3rico en la obra de juan hern\u00e1ndez pijuan<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 El espacio pict\u00f3rico en la obra de juan hern\u00e1ndez pijuan <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Ram\u00f3n Badrinas Bassas <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Barcelona<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 29\/03\/2006<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Anna Mar\u00eda Guasch Ferrer<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: manuel Parralo dorado <\/li>\n<li>antonia Vila mart\u00ednez (vocal)<\/li>\n<li>joaquim Chancho cabr\u00e9 (vocal)<\/li>\n<li>joan ramon Triado tur (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Ram\u00f3n Badrinas Bassas El prop\u00f3sito es situar y analizar la obra de joan hern\u00e1ndez pijuan, en su [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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