{"id":79384,"date":"2006-03-04T00:00:00","date_gmt":"2006-03-04T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/jose-de-canizares-y-los-espectaculos-teatrales-cortesanos-1700-1724-estudio-y-edicion-cra%c2%adtica-de-acis-y-galatea-1708\/"},"modified":"2006-03-04T00:00:00","modified_gmt":"2006-03-04T00:00:00","slug":"jose-de-canizares-y-los-espectaculos-teatrales-cortesanos-1700-1724-estudio-y-edicion-cra%c2%adtica-de-acis-y-galatea-1708","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/analisis-literario\/jose-de-canizares-y-los-espectaculos-teatrales-cortesanos-1700-1724-estudio-y-edicion-cra%c2%adtica-de-acis-y-galatea-1708\/","title":{"rendered":"Jos\u00e9 de ca\u00f1izares y los espect\u00e1culos teatrales cortesanos (1700-1724). estudio y edici\u00f3n cr\u00edtica de acis y galatea (1708)"},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Leal Bonmati Mar\u00eda Del Rosario <\/strong><\/h2>\n<p>En este trabajo, se estudian los espect\u00e1culos teatrales cortesanos a partir de 1700, a\u00f1o de la entronizaci\u00f3n de una nueva dinast\u00eda representada por felipe de borb\u00f3n, duque de anjou, hasta 1724, a\u00f1o de la abdicaci\u00f3n del rey en su hijo don luis. La investigaci\u00f3n en este periodo implica no s\u00f3lo observar las posibles derivaciones de la \u00faltima propuesta esc\u00e9nica del barroco, sino tambi\u00e9n comprobar en qu\u00e9 medida el cambio pol\u00edtico contribuy\u00f3 a innoar -o no- el teatro, y si, de manera impl\u00edcita, facilit\u00f3 el surgimiento de la nueva visi\u00f3n esc\u00e9nica tanto en los festejos teatrales como en los parateatrales.     dentro delos primeros, aparece con fuerza la figura del dramaturgo jos\u00e9 de ca\u00f1izares (1676-1750) que queda situada en su concreto momento hist\u00f3rico y cultural, acudiendo a fuentes documentales, manuscritos e impresos de la \u00e9poca: su presencia y actuaci\u00f3n en la corte de carlos ii y felipe v, muy ligado a los mayordomos mayores y, al menos, desde 1717, con su trabajo como comisario de las fiestas reales; la participaci\u00f3n en la guerra de sucesi\u00f3n como teniente capit\u00e1n de los coraceros; su largo ejercicio como fiscal de comedias al servicio del consejo de castilla y de Madrid (1702-1750) y, sobre todo, su producci\u00f3n de dramaturgo en la corte. En este trabajo para obtener el grado de doctor (tesis doctoral) lo ponemos de manifiesto con el estudio y la edici\u00f3n cr\u00edtica de acis y galatea (1708).<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Jos\u00e9 de ca\u00f1izares y los espect\u00e1culos teatrales cortesanos (1700-1724). estudio y edici\u00f3n cr\u00edtica de acis y galatea (1708)<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Jos\u00e9 de ca\u00f1izares y los espect\u00e1culos teatrales cortesanos (1700-1724). estudio y edici\u00f3n cr\u00edtica de acis y galatea (1708) <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Leal Bonmati Mar\u00eda Del Rosario <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Sevilla<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 03\/04\/2006<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Piedad Bola\u00f1os Donoso<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: rogelio Reyes cano <\/li>\n<li>joaquin Alvarez barrientos (vocal)<\/li>\n<li>Jes\u00fas Ca\u00f1as murillo (vocal)<\/li>\n<li> Molina castillo Luis Fernando (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Leal Bonmati Mar\u00eda Del Rosario En este trabajo, se estudian los espect\u00e1culos teatrales cortesanos a partir de [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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