{"id":79418,"date":"2006-05-04T00:00:00","date_gmt":"2006-05-04T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-escultura-no-figurativa-en-espana-de-los-ora%c2%adgenes-a-1974\/"},"modified":"2006-05-04T00:00:00","modified_gmt":"2006-05-04T00:00:00","slug":"la-escultura-no-figurativa-en-espana-de-los-ora%c2%adgenes-a-1974","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/barcelona\/la-escultura-no-figurativa-en-espana-de-los-ora%c2%adgenes-a-1974\/","title":{"rendered":"La escultura no figurativa en espa\u00f1a: de los or\u00edgenes a 1974"},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Subirana I Torrent Rosa Mar\u00eda <\/strong><\/h2>\n<p>En esta tesis doctoral se analiza y compara la obra de 138 artistas espa\u00f1oles que en un momento de su trayectoria han utilizado la no figuraci\u00f3n como forma de expresi\u00f3n tridimensional. el estudio se inicia en 1906 con las chimeneas de antonio gaud\u00ed, para el edificio \u00abla pedrera\u00bb, barcelona y finaliza en 1974 momentos en que tienen lugar distintas manifestaciones art\u00edsticas en barcelona, san sebasti\u00e1n, santa cruz de tenerife y Madrid que propician la colocaci\u00f3n de piezas de arte no figurativo en plazas, calles y parques. de cada uno de estos 138 artistas: escultores, pintores, tapiceros, joyeros, etc.., Se recab\u00f3 informaci\u00f3n no s\u00f3lo a trav\u00e9s de documentos escritos sino que se acudi\u00f3 a sus estudios y se les entrevist\u00f3 personalmente. Con todos estos datos se han elaborado amplias biograf\u00edas y bibliograf\u00edas acompa\u00f1adas de numerosas ilustraciones de cada artista motivo de estudio. Por la idoneidad de este material esta parte representa una de las principales aportaciones de la tesis. paralelamente se han comparado y analizado las caracter\u00edsticas de cada uno de ellos y reunido en grupos hist\u00f3ricos, grupos geogr\u00e1ficos y por las peculiaridades de las obras. los apartados tratados son los siguientes: or\u00edgenes:  pioneros e iniciadores; la escultura abstracta durante la preguerra y la guerra: n\u00facleo catal\u00e1n; grupo girona; n\u00facleo centro; n\u00facleo andaluz; n\u00facleo vasco y cantabro; n\u00facleo canario y n\u00facleo levante; materiales empleados; t\u00e9cnicas utilizadas; topolog\u00eda y condicionantes econ\u00f3micos.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La escultura no figurativa en espa\u00f1a: de los or\u00edgenes a 1974<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La escultura no figurativa en espa\u00f1a: de los or\u00edgenes a 1974 <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Subirana I Torrent Rosa Mar\u00eda <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Barcelona<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 05\/04\/2006<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Lourdes Cirlot Valenzuela<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Santiago Alcolea gil <\/li>\n<li>teresa Camps  mir\u00f3 (vocal)<\/li>\n<li>josep Roy dolcet (vocal)<\/li>\n<li>Fernando Gil sinaga (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Subirana I Torrent Rosa Mar\u00eda En esta tesis doctoral se analiza y compara la obra de 138 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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