{"id":79537,"date":"2018-03-09T23:25:22","date_gmt":"2018-03-09T23:25:22","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/caracas-ciudad-moderna-y-museo-intersecciones-inacabadas-en-el-paisaje-de-los-anos-cincuenta\/"},"modified":"2018-03-09T23:25:22","modified_gmt":"2018-03-09T23:25:22","slug":"caracas-ciudad-moderna-y-museo-intersecciones-inacabadas-en-el-paisaje-de-los-anos-cincuenta","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/caracas-ciudad-moderna-y-museo-intersecciones-inacabadas-en-el-paisaje-de-los-anos-cincuenta\/","title":{"rendered":"Caracas: ciudad moderna y museo. intersecciones inacabadas en el paisaje de los a\u00f1os cincuenta"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Carola Barrios Nogueira <\/strong><\/h2>\n<p>The analysis of caracas\u00c2\u00bf modern episode, visualized through the urban and architectural developments undertaken in the 1950\u00c2\u00bfs, has been the object of a renewed interest among venezuelan specialists working in related fields. after the four decades that followed the period, when a generalized ideological indifference cloaked the achievements of \u00abheroic modernity\u00bb in oblivion, it seems at the end of the century that the need for a new revaluation of caracas\u00c2\u00bf modern heritage has arisen.  It is within this critical revision that this study about the modern project of caracas should be inserted. the thesis proposes, among other things, to situate the relevance and the particularity of the local phenomenon within an international context. to acomplish such objectives, the analysis seeks to make a detailed valuation of the field of investigation wherein the object of study is itself to be placed, in order to establish a criteria related to the structure of the discourse itself.  therefore, the intention of this thesis is to position itself within the frame of this vision of history as a construction, exploring those territories of urban experience that arise from the crossing of the discourses between modern city and museum.   In this case, the binomial formed by modern city and museum becomes the field of investigation for the microhistorical analysis of mid-century caracas modernity. Such a direction is determined by a fundamental interest in the urban processes that constitute the construction of identity and memory within the culture of great cities, where the museum seems to have a particular relevance. For that, the syntax of the modern museum will appear not only in its condition as urban artifact and architectonic container. But also, from the point of view of the museum as a ideological universe profoundly imbricated in the construction of the urban realm that falls within the system of aesthetic-cultural production and the mass con<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Caracas: ciudad moderna y museo. intersecciones inacabadas en el paisaje de los a\u00f1os cincuenta<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Caracas: ciudad moderna y museo. intersecciones inacabadas en el paisaje de los a\u00f1os cincuenta <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Carola Barrios Nogueira <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Polit\u00e9cnica de catalunya<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 18\/04\/2006<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Francisco Javier Monclus Fraga<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: heliodoro Pi\u00f1\u00f3n pallar\u00e9s <\/li>\n<li>azier Calvo albizu (vocal)<\/li>\n<li>xavier Rubert de vent\u00f3s (vocal)<\/li>\n<li>Jes\u00fas Pedro lorente (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Carola Barrios Nogueira The analysis of caracas\u00c2\u00bf modern episode, visualized through the urban and architectural developments undertaken 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