{"id":797,"date":"1994-01-01T00:00:00","date_gmt":"1994-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/1994\/01\/01\/la-vision-britanica-del-arte-medieval-cristiano-en-espana-siglos-xviii-y-xix\/"},"modified":"1994-01-01T00:00:00","modified_gmt":"1994-01-01T00:00:00","slug":"la-vision-britanica-del-arte-medieval-cristiano-en-espana-siglos-xviii-y-xix","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/la-vision-britanica-del-arte-medieval-cristiano-en-espana-siglos-xviii-y-xix\/","title":{"rendered":"La vision britanica del arte medieval cristiano en espa\u00f1a (siglos xviii y xix)."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Matilde Mateo Sevilla <\/strong><\/h2>\n<p>El arte medieval espa\u00f1ol cristiano fue contemplado por los britanicos bajo diversos puntos de vista. Los mas predominantes en el siglo xviii fueron la optica erudita de corte arqueologico, la valoracion de los monumentos como documento historico y una vision arabizante que cristalizo en la teoria que proponia espa\u00f1a como cuna del gotico. En el siglo xix predomino la vision romantica, en la que destacaron el aprecio de nuestros monumentos medievales por su potencial evocador, su atractivo pintoresco y la emocion sublime que suscitaba. La vision predominante fue, sin embargo, la religiosa, que valoraba las catedrales por su contribucion a la brillantez del ritual y el ambiente religioso que en ellas se respiraba.  tambien hubo en el xix las primeras sintesis historicas, con la monografia de street y las historias de fergusson en un puesto destacado. Por ultimo, se valoraron, en menor grado, la escultura y pintura monumentales y arte menores gracias a las teorias de ruskin y william morris.  el south kensington museum fue la institucion oficial que mas contribuyo a la divulgacion de nuestro arte medieval decorativo.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La vision britanica del arte medieval cristiano en espa\u00f1a (siglos xviii y xix).<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La vision britanica del arte medieval cristiano en espa\u00f1a (siglos xviii y xix). <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Matilde Mateo Sevilla <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Santiago de compostela<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1994<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Serafin Moralejo Alvarez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Jes\u00fas Mar\u00eda Caama\u00f1o Martinez <\/li>\n<li>Migel Glendinning (vocal)<\/li>\n<li>Sarah Symmons (vocal)<\/li>\n<li>  (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Matilde Mateo Sevilla El arte medieval espa\u00f1ol cristiano fue contemplado por los britanicos bajo diversos puntos de [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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