{"id":7970,"date":"1995-01-01T00:00:00","date_gmt":"1995-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/1995\/01\/01\/lo-fotografico-reflexiones-desde-una-practica-critica\/"},"modified":"1995-01-01T00:00:00","modified_gmt":"1995-01-01T00:00:00","slug":"lo-fotografico-reflexiones-desde-una-practica-critica","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/lo-fotografico-reflexiones-desde-una-practica-critica\/","title":{"rendered":"\u00ablo fotografico. reflexiones desde una practica critica\u00bb."},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Garcia Gonzalez Miguel Angel <\/strong><\/h2>\n<p>Desde una practica personal del arte, se observa y teoriza acerca de un fenomeno que se caracteriza por la presencia de la logica del index en el ambito de las imagenes, condicionando la percepcion de la realidad, asi como la misma produccion del arte. A esta manifestacion, de extension cultural, hemos convenido en llamar lo fotografico.  la tesis que se presenta: lo fotografico. Reflexiones desde una practica critica, trata de este fenomeno, observandolo desde una practica condicionada por el mismo, -desde la que se fundamenta esta tesis- manifestando, que su afeccion en el ambito de lo social -el arte y la cultura- viene ocurriendo desde siempre y no se debe en exclusiva a la invencion de la fotografia.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>\u00ablo fotografico. reflexiones desde una practica critica\u00bb.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 \u00ablo fotografico. reflexiones desde una practica critica\u00bb. <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Garcia Gonzalez Miguel Angel <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Pa\u00eds vasco\/euskal herriko unibertsitatea<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1995<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Angel Bados Iparraguirre<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Jose Fuentes Estevez <\/li>\n<li>Jos\u00e9 Chavete Rodriguez (vocal)<\/li>\n<li> Tomas San Martin Antonio (vocal)<\/li>\n<li>Adelina Moya Valga\u00f1on (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Garcia Gonzalez Miguel Angel Desde una practica personal del arte, se observa y teoriza acerca de un [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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