{"id":80342,"date":"1999-08-07T00:00:00","date_gmt":"1999-08-07T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/antonio-teodoro-ortells-1647-1706-estudio-biografico-y-estilistico-del-repertorio-musical\/"},"modified":"1999-08-07T00:00:00","modified_gmt":"1999-08-07T00:00:00","slug":"antonio-teodoro-ortells-1647-1706-estudio-biografico-y-estilistico-del-repertorio-musical","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/antonio-teodoro-ortells-1647-1706-estudio-biografico-y-estilistico-del-repertorio-musical\/","title":{"rendered":"Antonio teodoro ortells (1647-1706): estudio biografico y estilistico del repertorio musical."},"content":{"rendered":"<h2>Tesis doctoral de <strong> M. Teresa Ferrer Ballester <\/strong><\/h2>\n<p>La realizaci\u00f3n de la presente tesis doctoral ha estado marcada principalmente por dos objetivos:  1. Estudio estil\u00edstico de la obra musical de ortells aplicando la metodolog\u00eda de an\u00e1lisis seg\u00fan la cual el contexto social, econ\u00f3mico, cultural y est\u00e9tico-art\u00edstico constituyen el punto de partida y justifican en buena parte el estilo de un compositor.  2. La localizaci\u00f3n y estudio de las fuentes musicales de los tres oratorios que ortells compuso y que son las primeras obras de su g\u00e9nero en espa\u00f1a.  ambos objetivos, que han sido cubiertos satisfactoriamente, han determinado la estructura del trabajo que se articula en tres partes:  i. Estudio biogr\u00e1fico de ortells: su entorno, donde se aborda el estudio de las capillas donde desempe\u00f1\u00f3 su actividad.  ii. Estudio del repertorio musical el que se adjunta una catalogaci\u00f3n de su obra.  adem\u00e1s del estudio propiamente musical se ha abordado el contexto lit\u00fargico.  iii. La edici\u00f3n musical de una selecci\u00f3n de obras representativas.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Antonio teodoro ortells (1647-1706): estudio biografico y estilistico del repertorio musical.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Antonio teodoro ortells (1647-1706): estudio biografico y estilistico del repertorio musical. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 M. Teresa Ferrer Ballester <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Valladolid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 08\/07\/1999<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Mar\u00eda Antonia Virgili Blanquet<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Jos\u00e9 vicente Gonz\u00e1lez valle <\/li>\n<li>pilar Alen garabato (vocal)<\/li>\n<li>angel Medina (vocal)<\/li>\n<li>carmelo Caballero fernandez-rufete (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de M. Teresa Ferrer Ballester La realizaci\u00f3n de la presente tesis doctoral ha estado marcada principalmente por dos [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[954,147,104,7632,222,9132,1111,12451],"tags":[92263,100974,9136,172087,9723,172088],"class_list":["post-80342","post","type-post","status-publish","format-standard","hentry","category-biografias","category-ciencias-de-las-artes-y-las-letras","category-historia","category-historia-de-la-musica","category-historias-especializadas","category-musica-y-musicologia","category-teoria-analisis-y-critica-de-las-bellas-artes","category-valladolid","tag-angel-medina","tag-carmelo-caballero-fernandez-rufete","tag-jose-vicente-gonzalez-valle","tag-m-teresa-ferrer-ballester","tag-maria-antonia-virgili-blanquet","tag-pilar-alen-garabato"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/80342","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=80342"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/80342\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=80342"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=80342"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=80342"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}