{"id":8061,"date":"1995-01-01T00:00:00","date_gmt":"1995-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/1995\/01\/01\/la-obra-plastica-de-francisco-bringas-y-bringas-1827-1855-analisis-sincronico-y-diacronico\/"},"modified":"1995-01-01T00:00:00","modified_gmt":"1995-01-01T00:00:00","slug":"la-obra-plastica-de-francisco-bringas-y-bringas-1827-1855-analisis-sincronico-y-diacronico","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/la-obra-plastica-de-francisco-bringas-y-bringas-1827-1855-analisis-sincronico-y-diacronico\/","title":{"rendered":"La obra plastica de francisco bringas y bringas (1827-1855). analisis sincronico y diacronico."},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Sainz Gil Ana M. <\/strong><\/h2>\n<p>Una vez elegido nuestro objeto de analisis, la obra plastica de francisco bringas (1827-1855), determinamos como interpretarla. Despues de observar que los estudios gestalticos estaban en la base de las nuevas investigaciones semioticas, nuestro interes se ha encaminado a profundizar sobre la teoria de la gestalt en r. Arnheim y esa ubicacion dentro de la semiotica (especialmente en relacion con a. J. Greimas y con el grupo \u00abmi\u00bb) y dentro de la teoria general de sistemas que direcciones podia ofrecernos para el estudio de la obra de f. Bringas.  en lo que abarca la tesis hemos analizado los esquemas estructurales de una obra significativa \u00abaldeano vasco en pose y paisaje con monta\u00f1as\u00bb, hemos recogido algunos de los aspectos socio-artisticos que le rodearon en la trayectoria de su vida y hemos agrupado toda la obra que realizo y que se conserva en la actualidad; bases investigadas para un futuro estudio de la forma* puesto en el contexto historico, como la clave del estudio del mecanismo de significacion. Con esta estructura de analisis se apunta a la posibilidad de construir una teoria general de la significacion del arte que estudie las categorias significantes y a su vez las categorias esteticas, y que es el marco general en que se ubica nuestra investigacion.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La obra plastica de francisco bringas y bringas (1827-1855). analisis sincronico y diacronico.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La obra plastica de francisco bringas y bringas (1827-1855). analisis sincronico y diacronico. <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Sainz Gil Ana M. <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Pa\u00eds vasco\/euskal herriko unibertsitatea<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1995<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Juan Crego Moran<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Jose Fuentes Esteve <\/li>\n<li>Jos\u00e9 Chavete Rodriguez (vocal)<\/li>\n<li> Sarasua Lemus Jos\u00e9 Ignacio (vocal)<\/li>\n<li>Josu Rekalde Izaguirre (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Sainz Gil Ana M. Una vez elegido nuestro objeto de analisis, la obra plastica de francisco bringas [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[147,4100,12909,3806,1111],"tags":[6495,6788,28148,28453,28452,28454],"class_list":["post-8061","post","type-post","status-publish","format-standard","hentry","category-ciencias-de-las-artes-y-las-letras","category-dibujo-y-grabado","category-pais-vasco-euskal-herriko-unibertsitatea","category-pintura","category-teoria-analisis-y-critica-de-las-bellas-artes","tag-jose-chavete-rodriguez","tag-jose-fuentes-esteve","tag-josu-rekalde-izaguirre","tag-juan-crego-moran","tag-sainz-gil-ana-m","tag-sarasua-lemus-jose-ignacio"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/8061","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=8061"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/8061\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=8061"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=8061"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=8061"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}