{"id":80839,"date":"1999-06-10T00:00:00","date_gmt":"1999-06-10T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/arquitectura-y-escultura-en-la-obra-de-antonio-palacios-y-angel-garcia\/"},"modified":"1999-06-10T00:00:00","modified_gmt":"1999-06-10T00:00:00","slug":"arquitectura-y-escultura-en-la-obra-de-antonio-palacios-y-angel-garcia","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/arquitectura-y-escultura-en-la-obra-de-antonio-palacios-y-angel-garcia\/","title":{"rendered":"Arquitectura y escultura en la obra de antonio palacios y angel garcia"},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Arevalo Cartagena Juan  Manuel <\/strong><\/h2>\n<p>El arquitecto antonio palacios cont\u00f3 habitualmente con la colaboraci\u00f3n de \u00e1ngel garc\u00eda, escultor madrile\u00f1o de renombre en su \u00e9poca y hasta ahora desconocido. Bas\u00e1ndose en una aproximaci\u00f3n a la obra de arquitectura desde el detalle a la totalidad, en la tesis se analizan las obras en com\u00fan de palacios y garc\u00eda encuadr\u00e1ndolas en los albores del siglo xx, cuando los m\u00e1s destacados escultores  destinaron parte de su obra a la ornamentaci\u00f3n edilicia. La tesis, en este sentido, sobrepasa el \u00e1mbito de esta monograf\u00eda, estudiando la colaboraci\u00f3n entre escultura y arquitectura en el contexto espa\u00f1ol y sus modelos internacionales.  se detalla la relaci\u00f3n de palacios y garc\u00eda con la docencia a trav\u00e9s de las escuelas de arquitectura y de pintura y escultura y obras de palacios relacionadas con las artes aplicadas. Por \u00faltimo se desarrollan el resto de encargos ejecutados por \u00e1ngel garc\u00eda, provenientes de destacados arquitectos de la \u00e9poca.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Arquitectura y escultura en la obra de antonio palacios y angel garcia<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Arquitectura y escultura en la obra de antonio palacios y angel garcia <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Arevalo Cartagena Juan  Manuel <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Polit\u00e9cnica de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 06\/10\/1999<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Pedro Navascues Palacio<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Francisco javier Garc\u00eda-guti\u00e9rrez mosteiro <\/li>\n<li>eduardo Capa sacristan (vocal)<\/li>\n<li>Fernando Chueca goitia (vocal)<\/li>\n<li>Jes\u00fas Gutierrez buron (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Arevalo Cartagena Juan Manuel El arquitecto antonio palacios cont\u00f3 habitualmente con la colaboraci\u00f3n de \u00e1ngel garc\u00eda, escultor [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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