{"id":80873,"date":"1999-08-10T00:00:00","date_gmt":"1999-08-10T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-figura-de-dionisos-en-la-filosofia-nietzscheana-y-su-recepcion-en-la-estetica-contemporanea\/"},"modified":"1999-08-10T00:00:00","modified_gmt":"1999-08-10T00:00:00","slug":"la-figura-de-dionisos-en-la-filosofia-nietzscheana-y-su-recepcion-en-la-estetica-contemporanea","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/filosofia\/la-figura-de-dionisos-en-la-filosofia-nietzscheana-y-su-recepcion-en-la-estetica-contemporanea\/","title":{"rendered":"La figura de dionisos en la filosofia nietzscheana y su recepcion en la estetica contemporanea."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Olga Valdivielso Lopez-brea <\/strong><\/h2>\n<p>El planteamiento inicial se centra en la figura de dionisos y en la contraposici\u00f3n entre la cultura griega cl\u00e1sica y la cultura rom\u00e1ntica. La primera comporta la idea de perfecci\u00f3n y armon\u00eda, lo \u00abapol\u00edneo\u00bb y la segunda representa la desmesura y la infinitud, lo \u00abdionisiaco\u00bb. Esta dualidad queda expresada como apariencia\/esencia(erscheinung\/wesen), como el principio de individuaci\u00f3n\/cosa en s\u00ed(principium individuationis\/ding an sich). Ambas formas artisticas van a verse confrontadas y de esta lucha emerge un nuevo paradigma estetico: la tragedia griega. El espiritu apolineo-dionisiaco renace de las cenizas cuando el principio de individuaci\u00f3n queda destruido en el \u00abreino dionis\u00edaco\u00bb y se alcanza a superar la alienaci\u00f3n del individuo. El enfrentamiento entre lo \u00abapol\u00edneo\u00bb y lo \u00abdionisiaco\u00bb se resuelve en el joven nietzsche acentuando y elevando lo \u00abdionis\u00edaco\u00bb como una voluntad de vivir y una afirmaci\u00f3n de la vida misma. Lo \u00abdionisiaco\u00bb es dar ur-ein(lo uno primordial), das ursein (el ser primordial), das eine lebendige (lo unico viviente), das herz der welt( el corazon del mundo), das herz der natur( el corazon de la naturaleza), der weltgenius (el genio del mundo). La \u00abformula dion\u00edsiaca\u00bb se convierte en la justificaci\u00f3n de la vida y en el camino de la salvaci\u00f3n por medio de la educacion est\u00e9tica. Lo \u00abdionis\u00edaco\u00bb como una voluntad de vivir schopenhaueriana, y el dios de la embiraguez y del \u00abdelirio b\u00e1quico\u00bb se plasma enla voluntad y en la unidad de \u00abtodo\u00bb en la musica de wagner. las ideas esteticas del joven nietzsche se desmarca del arte griego y se desborda en la reflexi\u00f3n sobre el arte moderno. Por ello, la confrontaci\u00f3n entre lo \u00abapolineo\u00bb y lo \u00abdionisiaco\u00bb se actualiza en su propia epoca y en este dualismo radica la evoluci\u00f3n del arte, movimiento constante de la estetica. La tensi\u00f3n entre lo \u00abapolineo\u00bb ylo \u00abdionis\u00edaco\u00bb nietzscheano har\u00e1 de ellas figuras paradigm\u00e1ticas de la estetica de la destrucci\u00f3n.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La figura de dionisos en la filosofia nietzscheana y su recepcion en la estetica contemporanea.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La figura de dionisos en la filosofia nietzscheana y su recepcion en la estetica contemporanea. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Olga Valdivielso Lopez-brea <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Nacional de educaci\u00f3n a distancia<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 08\/10\/1999<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Manuel Suances Marcos<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Jos\u00e9 Mar\u00eda Ripalda crespo <\/li>\n<li>Luis Jimenez moreno (vocal)<\/li>\n<li>Manuel Fraijo nieto (vocal)<\/li>\n<li>alicia Villar ezcurra (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Olga Valdivielso Lopez-brea El planteamiento inicial se centra en la figura de dionisos y en la contraposici\u00f3n [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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