{"id":81103,"date":"1999-03-11T00:00:00","date_gmt":"1999-03-11T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/estudio-de-las-categorias-de-espacio-y-tiempo-en-la-obra-de-san-juan-de-la-cruz\/"},"modified":"1999-03-11T00:00:00","modified_gmt":"1999-03-11T00:00:00","slug":"estudio-de-las-categorias-de-espacio-y-tiempo-en-la-obra-de-san-juan-de-la-cruz","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/estudio-de-las-categorias-de-espacio-y-tiempo-en-la-obra-de-san-juan-de-la-cruz\/","title":{"rendered":"\u00abestudio de las categor\u00edas de espacio y tiempo en la obra de san juan de la cruz\u00bb"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Miguel Norbert Ubarri <\/strong><\/h2>\n<p>Esta tesis contituye un an\u00e1lisis de las im\u00e1genes, simbolos y lirico espacio-temporales son los textos de san juan de la cruz. Parte de la experiencia del extasis y pretende examinar la modificacion que sufren estas categorias.  la primera parte, que es un an\u00e1lisis de la categoria espacial dividido en tres capitulos estudia los espacios y los desplazamientos en estos espacios. en los poemas menores subyace el desplazamiento cada vez m\u00e1s ascendente y extenorizante. En los poemas mayores adverterios im\u00e1genes cada vez mas interrogantes que van en pos de identificar un espacio intimo, lugar sagrado donde se realiza la trasnformaci\u00f3n contamplado en el extasis mistico al mayor de toda la especialidad        .  en la prosa encontramos una configuracion del alma con espacios cada vez m\u00e1s subidos y profundos.  la segunda parte, que es un analisis de la categoria temporal tambien dividido en tres capitulos, busca lugares donde figuran el sentido de lo eterno. en los poemas menores advertimos un \u00abno-tiempo\u00bb, un \u00abno-transcuso\u00bb y una mirada de un proceso contemplativo que va bien la eternidad. En los poemas menores y mayores hemos identificado un \u00abtiempo intimo\u00bb de los procesos del alma que no transcurre cronol\u00f3gicamente sino al ritmo de la trasformaci\u00f3n. si bien hemos identificado el esquema temporal a\u00f1adido en el comentario al c\u00f3rtero, tambien hemos realizado una lectura esenta de comentario que situan el presente en la canci\u00f3n undecimas y da al poema un estrutura circular. en la prosa se encuentran el deso de tempolino el proceso y el temor de fingir denominado la temporalidad de lo infalible.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>\u00abestudio de las categor\u00edas de espacio y tiempo en la obra de san juan de la cruz\u00bb<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 \u00abestudio de las categor\u00edas de espacio y tiempo en la obra de san juan de la cruz\u00bb <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Miguel Norbert Ubarri <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Sevilla<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 03\/11\/1999<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Crist\u00f3bal Cuevas Garc\u00eda<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Francisco L\u00f3pez estrada <\/li>\n<li> Lopez bueno m. bego\u00f1a (vocal)<\/li>\n<li>luce Lopez baralt (vocal)<\/li>\n<li> Reyes pe\u00f1a mercedes de los (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Miguel Norbert Ubarri Esta tesis contituye un an\u00e1lisis de las im\u00e1genes, simbolos y lirico espacio-temporales son los [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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