{"id":81158,"date":"1999-08-11T00:00:00","date_gmt":"1999-08-11T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-representacion-como-puesta-en-escena-para-una-teoria-de-la-mirada\/"},"modified":"1999-08-11T00:00:00","modified_gmt":"1999-08-11T00:00:00","slug":"la-representacion-como-puesta-en-escena-para-una-teoria-de-la-mirada","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/la-representacion-como-puesta-en-escena-para-una-teoria-de-la-mirada\/","title":{"rendered":"\u00abla representacion como puesta en escena. para una teoria de la mirada\u00bb"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Carmen Nogueira Alonso <\/strong><\/h2>\n<p>La tesis analiza el papel del espectador en el arte contemporaneo bajo la perspectiva de la teoria de la recepcion. Comienza con los origenes dela fotografia y su dialogo con la representacion pictorica para llegar a la definici\u00f3n de un arte posthistorico.  el estudio se centra en cuatro obras de cuatro autores considerados paradigmaticos del arte contemporaneo:  cinema de dan graham; mimic de jeff wall, thank you thighmaster de inez van lamsweerde y simple men de hal hartley.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>\u00abla representacion como puesta en escena. para una teoria de la mirada\u00bb<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 \u00abla representacion como puesta en escena. para una teoria de la mirada\u00bb <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Carmen Nogueira Alonso <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Vigo<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 08\/11\/1999<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Yolanda Herranz Pascual<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Juan  Fernando de la Iglesia gonzalez de pereda <\/li>\n<li>angeles Marco saturnino (vocal)<\/li>\n<li> De soto y arandiga  ramon (vocal)<\/li>\n<li>maite Beguiristain alcorta (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Carmen Nogueira Alonso La tesis analiza el papel del espectador en el arte contemporaneo bajo la perspectiva [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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