{"id":81227,"date":"2018-03-10T00:05:06","date_gmt":"2018-03-10T00:05:06","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-masriera-una-saga-de-artistas\/"},"modified":"2018-03-10T00:05:06","modified_gmt":"2018-03-10T00:05:06","slug":"la-masriera-una-saga-de-artistas","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/la-masriera-una-saga-de-artistas\/","title":{"rendered":"La masriera una saga de artistas"},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Serraclara Pla M. Teresa <\/strong><\/h2>\n<p>Bas\u00e1ndonos en la documentaci\u00f3n familiar in\u00e9dita compuesta por 8703 documentos manuscritos y en una exhaustiva b\u00fasqueda bibliogr\u00e1fica hemos estructurado olas hasta hoy inexistentes biograf\u00edas de jos\u00e9 masriera vidal, j.Masriera manovens, f.Masriera manovens, f.Masriera manovnes, l. Masriera roses y f.Masriera vila, aportando alg\u00fan dato biografico de v.Masriera vila y g.Masriera roses, trazamos un somero perfil humano de cada uno de ellos confront\u00e1ndolo con sus propios escritos. Hacemos referencia a la revista manuscrita, y hasta hoy in\u00e9dita \u00abel recuerdo\u00bb y de las editadas por luis\u00bbla veu puntxaguda\u00bb, \u00abesplai\u00bb y \u00abestilo\u00bb. Destacamos la importancia de los masriera para la ciudad de barcelona desde 1839 hasta 1958. Hemos catalogado un total de 2.237 obras de sus respectivas producciones y hacemos un an\u00e1lisis formal y estilistico de las mismas y de su evoluci\u00f3n. Planteamos diversas hip\u00f3tesis que demostramos contemplando las influencias que recibieron de las obras de artistas europeos y espa\u00f1oles, la relaci\u00f3n con las obras de sus coet\u00e1neos y hacemos referencia a sus seguidores. Presentamos una amplia bibliografia especial y especifica.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La masriera una saga de artistas<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La masriera una saga de artistas <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Serraclara Pla M. Teresa <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Barcelona<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 15\/11\/1999<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Jos\u00e9 Arenas Fern\u00e1ndez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: mireia Freixa serra <\/li>\n<li>jordi Carbonell pallares (vocal)<\/li>\n<li>francesc Fontbona de vallescar (vocal)<\/li>\n<li>Carlos Gonzalez lopez (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Serraclara Pla M. Teresa Bas\u00e1ndonos en la documentaci\u00f3n familiar in\u00e9dita compuesta por 8703 documentos manuscritos y en [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[951,104,1014,222],"tags":[173432,5606,173431,99434,28157,173430],"class_list":["post-81227","post","type-post","status-publish","format-standard","hentry","category-barcelona","category-historia","category-historia-del-arte","category-historias-especializadas","tag-carlos-gonzalez-lopez","tag-francesc-fontbona-de-vallescar","tag-jordi-carbonell-pallares","tag-jose-arenas-fernandez","tag-mireia-freixa-serra","tag-serraclara-pla-m-teresa"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/81227","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=81227"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/81227\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=81227"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=81227"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=81227"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}