{"id":81272,"date":"2018-03-10T00:05:10","date_gmt":"2018-03-10T00:05:10","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/analisis-de-la-recepcion-de-la-postmodernidad-en-la-critica-de-arte-en-andalucia\/"},"modified":"2018-03-10T00:05:10","modified_gmt":"2018-03-10T00:05:10","slug":"analisis-de-la-recepcion-de-la-postmodernidad-en-la-critica-de-arte-en-andalucia","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/analisis-de-la-recepcion-de-la-postmodernidad-en-la-critica-de-arte-en-andalucia\/","title":{"rendered":"Analisis de la recepcion de la postmodernidad en la critica de arte en andalucia"},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Perez Villen Angel Luis <\/strong><\/h2>\n<p>La postmodernidad se percibe como una trama rizom\u00e1tica de distintas corrientes de pensamietno y por lo tanto  es imposible fijar su cuerpo discursivo en un sola teor\u00eda. En el campo del arte la postmodernidad sedimental al convicci\u00f3n de que el progreso lineal que pretendia el proyecto moderno es una ilusi\u00f3n de la vanguardia.La postmodernidad art\u00edstica certifica la defunci\u00f3n de la vanguardia, se reconcilia con el pasado y la historia del arte se convierte en suministro de fragmentos estil\u00edsticos. Pero esta aceptaci\u00f3n ecl\u00e9tica de la postmodernidad debe compartir el protagonismo con otra posici\u00f3n m\u00e1s critica con el entorno, que de alguna manera recupera al espir\u00edtu combativo y d\u00edscolo de las primeras vanguardias.En espa\u00f1a y m\u00e1s concretamente en anadaluc\u00eda  la postmodernidad no llega a recepcionar de manera uniforme ,muchos menos a entender en profundidad. Son muy pocos los agentes cr\u00edticos andaluces que aportan un discurso cohesionado respecto a la postmodernidad, ya que por los general las opiniones se vierten sin fundamento y no se fomenta el debate interno.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Analisis de la recepcion de la postmodernidad en la critica de arte en andalucia<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Analisis de la recepcion de la postmodernidad en la critica de arte en andalucia <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Perez Villen Angel Luis <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 C\u00f3rdoba<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 18\/11\/1999<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Alberto Villar Movellan<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: manuel Perez lozan <\/li>\n<li>ramon Roman alcala (vocal)<\/li>\n<li>Fernando Martin martin (vocal)<\/li>\n<li>eugenio Carmona mato (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Perez Villen Angel Luis La postmodernidad se percibe como una trama rizom\u00e1tica de distintas corrientes de pensamietno [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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