{"id":81414,"date":"2018-03-10T00:05:18","date_gmt":"2018-03-10T00:05:18","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/ciclos-de-significado-en-la-evolucion-de-la-obra-artistica-en-una-practica-personal\/"},"modified":"2018-03-10T00:05:18","modified_gmt":"2018-03-10T00:05:18","slug":"ciclos-de-significado-en-la-evolucion-de-la-obra-artistica-en-una-practica-personal","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/ciclos-de-significado-en-la-evolucion-de-la-obra-artistica-en-una-practica-personal\/","title":{"rendered":"\u00abciclos de significado en la evolucion de la obra artistica: en una practica personal\u00bb"},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Gomez Novoa M. Carmen <\/strong><\/h2>\n<p>La tesis se plantea en la necesidad de investigar sobre el significado de los ciclos en un pr\u00e1ctica artistica personal. A trav\u00e9s del estudio de los elementos formales utilizados enla obra pict\u00f3rica, se plantea la necesidad de un metodo de analisis para aplicarlo a la pintura en sus distintos series a lo largo de los a\u00f1os.  se ha realizado una plantilla que recoge relaciones simples y relaciones compuestas entre los elementos formales y se aplica a cada una de las obras, para llevar a cabo un trabajo de campo objetivo.  este se completa con otros analisis m\u00e1s subjetivos, como el significado simb\u00f3lico y los avances o retrocesos en cada epoca, en un contexto de evoluci\u00f3n y simplificaciones de forma y color.  en la reflexi\u00f3n del trabajo se llega a conclusiones de autoanalisis relacionadas con el significado de los ciclos y su evoluci\u00f3n artistica.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>\u00abciclos de significado en la evolucion de la obra artistica: en una practica personal\u00bb<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 \u00abciclos de significado en la evolucion de la obra artistica: en una practica personal\u00bb <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Gomez Novoa M. Carmen <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Vigo<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 26\/11\/1999<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Jose Chavete Rodriguez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: inmaculada Jimenez huertas <\/li>\n<li>Juan  Carlos Meana Martinez (vocal)<\/li>\n<li>david De prado (vocal)<\/li>\n<li>anxel Huete vales (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Gomez Novoa M. Carmen La tesis se plantea en la necesidad de investigar sobre el significado de [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[147,4510,3806,1111,18657],"tags":[18673,173741,173740,13057,6495,13410],"class_list":["post-81414","post","type-post","status-publish","format-standard","hentry","category-ciencias-de-las-artes-y-las-letras","category-estetica-de-las-bellas-artes","category-pintura","category-teoria-analisis-y-critica-de-las-bellas-artes","category-vigo","tag-anxel-huete-vales","tag-david-de-prado","tag-gomez-novoa-m-carmen","tag-inmaculada-jimenez-huertas","tag-jose-chavete-rodriguez","tag-juan-carlos-meana-Martinez"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/81414","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=81414"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/81414\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=81414"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=81414"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=81414"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}