{"id":81448,"date":"2018-03-10T00:05:22","date_gmt":"2018-03-10T00:05:22","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/rouben-mamoulian-textos-filmicos\/"},"modified":"2018-03-10T00:05:22","modified_gmt":"2018-03-10T00:05:22","slug":"rouben-mamoulian-textos-filmicos","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/rouben-mamoulian-textos-filmicos\/","title":{"rendered":"Rouben mamoulian. textos filmicos"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Santiago Vila Muestieles <\/strong><\/h2>\n<p>Esta tesis propone el an\u00e1lisis textual de los films dirigidos por rouben mamoulian, sobre el que no existe en espa\u00f1a ningun estudio riguroso. Desde las actuales teor\u00edas postestructuralistas, el cine de mamoulian puede entenderse como un cruce muy significativo de influencias que permite reflexionar sobre las contaminaciones f\u00edlmicas en un per\u00edodo clave: desde la primera \u00e9poca del sonoro hasta la crisis del clasicismo en hollywood. Los films se analizan en relaci\u00f3n con textos previos cinematogr\u00e1ficos, literarios, pict\u00f3ricos y musicales, revisando en cada caso la cr\u00edticas anteriores a esta investigaci\u00f3n. Cada texto f\u00edlmico se elabora as\u00ed como tejido de teor\u00edas, en coherencia con el car\u00e1cter intertextual de la obra examinada. Las constantes estil\u00edsticas que se destacan en el an\u00e1lisis permiten considerar el cine de este autor como una excepci\u00f3n dentro de hollywood, puesto que se notablemente del modelo normativo y del sentido de sus textos resulta de sorprendente vigencia.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Rouben mamoulian. textos filmicos<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Rouben mamoulian. textos filmicos <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Santiago Vila Muestieles <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Universitat de val\u00e9ncia (estudi general)<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 30\/11\/1999<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Juan  Miguel Company Ramon<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: santos Zunzunegui diez <\/li>\n<li> Selma la hoz Jos\u00e9 vicente (vocal)<\/li>\n<li>giulia Colaizzi (vocal)<\/li>\n<li>imanol Zumalde arregi (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Santiago Vila Muestieles Esta tesis propone el an\u00e1lisis textual de los films dirigidos por rouben mamoulian, sobre [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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