{"id":81664,"date":"2018-03-10T00:05:33","date_gmt":"2018-03-10T00:05:33","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/aportaciones-a-la-tecnica-y-estilistica-de-la-pintura-mural-en-castilla-a-final-de-la-edad-media-tradicion-e-influencia-islamica\/"},"modified":"2018-03-10T00:05:33","modified_gmt":"2018-03-10T00:05:33","slug":"aportaciones-a-la-tecnica-y-estilistica-de-la-pintura-mural-en-castilla-a-final-de-la-edad-media-tradicion-e-influencia-islamica","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/aportaciones-a-la-tecnica-y-estilistica-de-la-pintura-mural-en-castilla-a-final-de-la-edad-media-tradicion-e-influencia-islamica\/","title":{"rendered":"Aportaciones a la tecnica y estilistica de la pintura mural en castilla a final de la edad media tradici\u00f3n e influencia islamica."},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Rallo Gruss M. Carmen <\/strong><\/h2>\n<p>La pintura mural tuvo gran difusi\u00f3n en la baja edad media, como parte intr\u00ednseca de la arquitectura. Cuando formaba parte de la ornamentaci\u00f3n religiosa, con motivos figurativos correspondientes a la corriente europe\u00edsta g\u00f3tica ha sido objeto de diversos estudios; sin embargo, en la presente tesis se contempla la investigaci\u00f3nd e las expresiones pict\u00f3ricas parietales que decorabancasa y palacios, con temas no figurativos, frecuentemente de influjo isl\u00e1mico.  los l\u00edmites temproales de este estudioa barcan desde la ca\u00edda de toledo hasta la toma de granada, centr\u00e1ndose sobre todo en los siglos xiv y xv. la localizaci\u00f3n geogr\u00e1fico donde se desarrolla el tema es la castilla medieval de esos tiempso, abarcando por tanto la zona andaluza.  la primera parte de la tesis se inicia conla problem\u00e1tica m\u00e1s general de este tipo de pintura (desde su nomenclatura hasta su tem\u00e1tica y t\u00e9cnica de ejecuci\u00f3n), la segunda se remonta a la pintura mural musulmana en busca de sus antecedentes, y, por \u00fatlimo, la tercera se detiene en las obras m\u00e1s significativas que se conservan en la actualidad.  el an\u00e1lisis de estas obras, realizado bajo los dos apsectos t\u00e9cnicos y estl\u00edsitco, conduce al convencimiento que no son simplemente reflejo de un arte isl\u00e1mico, sino que \u00e9ste act\u00faa como transmisor de una cultura cl\u00e1sica y tradicional.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Aportaciones a la tecnica y estilistica de la pintura mural en castilla a final de la edad media tradici\u00f3n e influencia islamica.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Aportaciones a la tecnica y estilistica de la pintura mural en castilla a final de la edad media tradici\u00f3n e influencia islamica. <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Rallo Gruss M. Carmen <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 15\/12\/1999<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li> Piquero Lopez  Mar\u00eda  Angeles<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Jes\u00fas Mar\u00eda Caama\u00f1o Martinez <\/li>\n<li>Enrique Parra Greco (vocal)<\/li>\n<li>Isabel Mateo G\u00f3mez (vocal)<\/li>\n<li>Ana M\u00aa Calvo Manuel (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Rallo Gruss M. Carmen La pintura mural tuvo gran difusi\u00f3n en la baja edad media, como parte [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[104,1014,222],"tags":[174140,174139,11701,2984,113748,174138],"class_list":["post-81664","post","type-post","status-publish","format-standard","hentry","category-historia","category-historia-del-arte","category-historias-especializadas","tag-ana-ma-calvo-manuel","tag-enrique-parra-greco","tag-isabel-mateo-gomez","tag-jesus-maria-caamano-Martinez","tag-piquero-lopez-maria-angeles","tag-rallo-gruss-m-carmen"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/81664","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=81664"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/81664\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=81664"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=81664"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=81664"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}