{"id":81734,"date":"2018-03-10T00:05:37","date_gmt":"2018-03-10T00:05:37","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-obra-escultorica-de-salvador-soria\/"},"modified":"2018-03-10T00:05:37","modified_gmt":"2018-03-10T00:05:37","slug":"la-obra-escultorica-de-salvador-soria","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/la-obra-escultorica-de-salvador-soria\/","title":{"rendered":"La obra escultorica de salvador soria"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Amparo Fosati Parre\u00f1o <\/strong><\/h2>\n<p>La presente tesis doctoral ha pretendido establecer como la obra escult\u00f3rica de salvador soria, hasta el momento pr\u00e1cticamente desconocida, supone un aporte original e innovador en el ambito de la escultura nacional e internacional, por cuanto presenta un aspecto unico: la transformabilidad escult\u00f3rica.  partiendo de unas fuentes de referencia fundamentales como la catalogaci\u00f3n de todas las escultura, la revision biografica de su vida, la recopilaci\u00f3n de todos los escritos sobre su escultura, la transcripci\u00f3n de tres entrevistas y la consulta de la oportuna bibliografia, nuestro estudio se ha constituido en tres partes:  una primera parte en la que hemos establecido una aproximaci\u00f3n al contexto historico-artistico para determinar de que manera el mismo ha podido influir en la trayectoria escultorica de s.Soria; asi como, hemos argumentado una fundamentaci\u00f3n teorica de conceptos escult\u00f3ricos necesarios para concretar la transformabilidad escultorica. La segunda parte presente el proceso anal\u00edtico y las aplicaciones en su desarrollo, para ello hemos creado una pauta anal\u00edtica general que estudia los series escult\u00f3ricas del artista y un estudio en profundidad e individualizado de esculturas concretas y seleccionadas y en la que hemos hecho un amplio estudio sobre la transformabilidad. la tercera parte corresponde a los anexos y contienen todos los datos de las fuentes de referencia.  de toda la investigaci\u00f3n, las conclusiones pertinentes aluden a los aspectos originales en la escultura de salvador soria que son, en definitiva, su transformabilidad escult\u00f3rica.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La obra escultorica de salvador soria<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La obra escultorica de salvador soria <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Amparo Fosati Parre\u00f1o <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Polit\u00e9cnica de Valencia<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 16\/12\/1999<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Aurora Valero Cuenca<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Antonio Tom\u00e1s sanmart\u00edn <\/li>\n<li> Blasco carrascosa Juan  angel (vocal)<\/li>\n<li>pascual Patuel chust (vocal)<\/li>\n<li>Manuel Bethencourt santana (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Amparo Fosati Parre\u00f1o La presente tesis doctoral ha pretendido establecer como la obra escult\u00f3rica de salvador soria, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[147,4363,104,1014,222,16820,1111],"tags":[82548,7799,16995,12273,174245,174244],"class_list":["post-81734","post","type-post","status-publish","format-standard","hentry","category-ciencias-de-las-artes-y-las-letras","category-escultura","category-historia","category-historia-del-arte","category-historias-especializadas","category-politecnica-de-valencia","category-teoria-analisis-y-critica-de-las-bellas-artes","tag-amparo-fosati-parreno","tag-antonio-tomas-sanmartin","tag-aurora-valero-cuenca","tag-blasco-carrascosa-juan-angel","tag-manuel-bethencourt-santana","tag-pascual-patuel-chust"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/81734","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=81734"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/81734\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=81734"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=81734"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=81734"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}