{"id":81791,"date":"2018-03-10T00:05:41","date_gmt":"2018-03-10T00:05:41","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/el-menezago-arta%c2%adstico-en-el-aljarafe-sevillano-durante-la-edad-moderna\/"},"modified":"2018-03-10T00:05:41","modified_gmt":"2018-03-10T00:05:41","slug":"el-menezago-arta%c2%adstico-en-el-aljarafe-sevillano-durante-la-edad-moderna","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/el-menezago-arta%c2%adstico-en-el-aljarafe-sevillano-durante-la-edad-moderna\/","title":{"rendered":"\u00abel menezago art\u00edstico en el aljarafe sevillano durante la edad moderna\u00bb"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Francisco Amores Martinez <\/strong><\/h2>\n<p>En este trabajo se estudia la personalidad de los patronos, mecenas y clientes que hicieron posible las empresas art\u00edsticas realizadas en las localidades aljarafe\u00f1as durante los siglos xvi,xvii y xviii. Se analiza en prmer lugar la labor de mecenazgo de la nobleza de t\u00edtulo, con especial an\u00e1lisis de los miembros m\u00e1s preclaros de la casa de olivares, pasando luego a estudiar las distintas personalidades eclesi\u00e1sticas, entre las que destacaron los arzobispos y cardenales sevillanos del siglo xviii y los abades y can\u00f3nigos de la colegiata de olivares. Se dedica un cap\u00edtulo a los aristocr\u00e1tas que impulsaron la construcci\u00f3n de las haciendas de olivar y sus aspectos art\u00edsticos, adem\u00e1s de la intervenci\u00f3n de otros burgueses y cl\u00e9rigos de la \u00e9poca, dedicando finalmente un cap\u00edtulo a las hermandades y cofradias como motores de desarrollo del mercado art\u00edstico de la \u00e9poca. para terminar, se exponen las fuentes documentales consultadas, procedentes de trece archivos, as\u00ed como la bibliograf\u00eda consultada, que contiene m\u00e1s de cien publicaciones.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>\u00abel menezago art\u00edstico en el aljarafe sevillano durante la edad moderna\u00bb<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 \u00abel menezago art\u00edstico en el aljarafe sevillano durante la edad moderna\u00bb <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Francisco Amores Martinez <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Sevilla<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 17\/12\/1999<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li> Castillo Utrilla M. Jos\u00e9 Del<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: emilio G\u00f3mez pi\u00f1ol <\/li>\n<li>pedro Gonzalez garcia (vocal)<\/li>\n<li> Sanz serrano M\u00aa Jes\u00fas (vocal)<\/li>\n<li>teresa Dabrio gonzalez (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Francisco Amores Martinez En este trabajo se estudia la personalidad de los patronos, mecenas y clientes que [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[104,1014,989,220,222,10715],"tags":[26485,10774,174350,38601,77733,11242],"class_list":["post-81791","post","type-post","status-publish","format-standard","hentry","category-historia","category-historia-del-arte","category-historia-moderna","category-historia-por-epocas","category-historias-especializadas","category-sevilla","tag-castillo-utrilla-m-jose-del","tag-emilio-gomez-pinol","tag-francisco-amores-Martinez","tag-pedro-gonzalez-garcia","tag-sanz-serrano-ma-jesus","tag-teresa-dabrio-gonzalez"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/81791","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=81791"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/81791\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=81791"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=81791"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=81791"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}