{"id":82205,"date":"2000-01-01T00:00:00","date_gmt":"2000-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/temas-y-elementos-ornamentales-en-el-arte-de-granada-desde-el-renacimiento-hasta-el-manierismo\/"},"modified":"2000-01-01T00:00:00","modified_gmt":"2000-01-01T00:00:00","slug":"temas-y-elementos-ornamentales-en-el-arte-de-granada-desde-el-renacimiento-hasta-el-manierismo","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/temas-y-elementos-ornamentales-en-el-arte-de-granada-desde-el-renacimiento-hasta-el-manierismo\/","title":{"rendered":"Temas y elementos ornamentales en el arte de granada desde el renacimiento hasta el manierismo."},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Perez Ruiz De La Fuente M. Dolores <\/strong><\/h2>\n<p>Se ha pretendido realizar una aportaci\u00f3n en la descripci\u00f3n, catalogaci\u00f3n y evoluci\u00f3n de los elementos ornamentales en general y de los grutescos de forma muy particular. Nos planteamos como meta la definici\u00f3n de un modelo te\u00f3rico comprensivo sobre el origen, uso y significaci\u00f3n de un vocabulario ornamental codificado y definido en las peculiares circunstancias de la granada del quinientos.  se ha partido de una introducci\u00f3n en la que se aborda tanto el panorama hist\u00f3rico-art\u00edstico como el estado de la cuesti\u00f3n, en donde se han destacado las aportaciones m\u00e1s signiticativas.  tras la introducci\u00f3n la tesis se divide en dos partes: en la primera se hace un recorrido cronol\u00f3gico a trav\u00e9s de las realizaciones que interesan desde el punto de vista ornamental. En la segunda se estudian todas las tipolog\u00edas ornamentales m\u00e1s caracter\u00edsticas, buscando su origen y posible significado, as\u00ed como los autores que las introducen en nuestra ciudad.#<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Temas y elementos ornamentales en el arte de granada desde el renacimiento hasta el manierismo.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Temas y elementos ornamentales en el arte de granada desde el renacimiento hasta el manierismo. <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Perez Ruiz De La Fuente M. Dolores <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Granada<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/2000<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Jos\u00e9 Manuel Pita Andrade<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: domingo Sanchez-mesa martin <\/li>\n<li>pedro Galera andreu (vocal)<\/li>\n<li>victor Nieto alcaide (vocal)<\/li>\n<li> Szmolka clares Jos\u00e9 salvador (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Perez Ruiz De La Fuente M. Dolores Se ha pretendido realizar una aportaci\u00f3n en la descripci\u00f3n, catalogaci\u00f3n [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[104,1014,222],"tags":[2078,3683,3974,175009,175010,14793],"class_list":["post-82205","post","type-post","status-publish","format-standard","hentry","category-historia","category-historia-del-arte","category-historias-especializadas","tag-domingo-sanchez-mesa-martin","tag-jose-manuel-pita-andrade","tag-pedro-galera-andreu","tag-perez-ruiz-de-la-fuente-m-dolores","tag-szmolka-clares-jose-salvador","tag-victor-nieto-alcaide"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/82205","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=82205"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/82205\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=82205"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=82205"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=82205"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}