{"id":82304,"date":"2000-01-01T00:00:00","date_gmt":"2000-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/el-teatro-para-ninos-en-mexico\/"},"modified":"2000-01-01T00:00:00","modified_gmt":"2000-01-01T00:00:00","slug":"el-teatro-para-ninos-en-mexico","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/el-teatro-para-ninos-en-mexico\/","title":{"rendered":"El teatro para ni\u00f1os en mexico."},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Salcedo Larios Hugo Octavio <\/strong><\/h2>\n<p>Luego de una visi\u00f3n panor\u00e1mica de las letras dram\u00e1ticas mexicanas en el siglo veinte, la investigaci\u00f3n se enfoca en diversos autores y sus obras dirigidas al lector y espectador infantil, as\u00ed como a la importancia de la pr\u00e1ctica esc\u00e9nica en la formaci\u00f3n escolar y el papel de la literatura teatral en la infancia.  con los referentes anteriores, la tesis ofrece una \u00abpo\u00e9tica del teatro para ni\u00f1os en m\u00e9xico\u00bb sustentada en la interpretaci\u00f3n de la historia (los mitos mexicanos y la historia nacional), el texto dram\u00e1tico de corte maravilloso, la obra teatral de transformaci\u00f3n y cambio social, as\u00ed como la influencia de otras lenguas y culturas que permea los temas y tratamientos del teatro infantil en este pa\u00eds hispanoamericano.  finalmente se ofrecen dos comentarios estil\u00edsticos a igual n\u00famero de obras, representativas del cuerpo dram\u00e1tico para ni\u00f1os en el m\u00e9xico actual.#<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>El teatro para ni\u00f1os en mexico.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 El teatro para ni\u00f1os en mexico. <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Salcedo Larios Hugo Octavio <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/2000<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Esperanza Seco Santos<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: nicasio Salvador Miguel <\/li>\n<li>teodosio Fernandez rodriguez (vocal)<\/li>\n<li>lucrecio P\u00e9rez blanco (vocal)<\/li>\n<li>concepcion Reverte bernal (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Salcedo Larios Hugo Octavio Luego de una visi\u00f3n panor\u00e1mica de las letras dram\u00e1ticas mexicanas en el siglo [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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