{"id":82869,"date":"2000-01-01T00:00:00","date_gmt":"2000-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/plateria-del-centro-de-pamplona-en-los-siglos-del-barroco\/"},"modified":"2000-01-01T00:00:00","modified_gmt":"2000-01-01T00:00:00","slug":"plateria-del-centro-de-pamplona-en-los-siglos-del-barroco","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/plateria-del-centro-de-pamplona-en-los-siglos-del-barroco\/","title":{"rendered":"Plateria del centro de pamplona en los siglos del barroco."},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Orbe Sivatte Mercedes De <\/strong><\/h2>\n<p>El an\u00e1lisis de un elevado n\u00famero de piezas realizadas en pamplona, el examen de una rica documentaci\u00f3n y la bibliograf\u00eda revisada ha permitido conocer en profundidad el arte de la plater\u00eda barroca en el taller de pamplona durante los siglos xvii y xviii.  la primera parte trata de la corporaci\u00f3n a trav\u00e9s de las ordenanzas aprobadas en estos siglos; tambi\u00e9n analizamos la organizaci\u00f3n del gremio de los plateros, con especial detenimiento en su sistema de gobierno, sus funciones religiosas y el desarrollo profesional. En este punto abordamos los ax\u00e1menes de maestr\u00eda y el ejercicio de la profesi\u00f3n, con su control dependiente de la hermandad y de la autoriadad civil. Punto clave ha sido el marcaje del que analizamos su compleja problem\u00e1tica. Hemos reconstruido la lista de marcadors de esta amplia cronolog\u00eda y hemos encontrado numerosas marcas de autor y estudiado las variantes de localidad, -pamplona-.  a la figura del platero dedicamos la segunda parte, a trav\u00e9s del funcionamiento del taller. Tambi\u00e9n hemos averiguado la situaci\u00f3n socioecon\u00f3mica y las relaciones familiares y profesionales de muchos de los plateros de la ciudad, todo ello recogido en sus biograf\u00edas.  los dos \u00faltimos cap\u00edtulos se dedican a las piezas. Por una parte analizamos la clientela, el procedimiento del contrato y los precios, por otra ofrecemos su estudio art\u00edstico a trav\u00e9s de las diversas tipolog\u00edas para terminar con un cat\u00e1lago de las obras. se cierra el trabajo con una serie de conclusiones.#<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Plateria del centro de pamplona en los siglos del barroco.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Plateria del centro de pamplona en los siglos del barroco. <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Orbe Sivatte Mercedes De <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Navarra<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/2000<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Concepcion Garcia Gainza<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal:  Brasas egido Jos\u00e9 Carlos <\/li>\n<li>carmen Heredia moreno (vocal)<\/li>\n<li> Sanz serrano m. Jes\u00fas (vocal)<\/li>\n<li>Javier Azanza lopez (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Orbe Sivatte Mercedes De El an\u00e1lisis de un elevado n\u00famero de piezas realizadas en pamplona, el examen [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[104,1014,222,17749],"tags":[9478,24190,12862,85284,175937,69043],"class_list":["post-82869","post","type-post","status-publish","format-standard","hentry","category-historia","category-historia-del-arte","category-historias-especializadas","category-navarra","tag-brasas-egido-jose-carlos","tag-carmen-heredia-moreno","tag-concepcion-garcia-gainza","tag-javier-azanza-lopez","tag-orbe-sivatte-mercedes-de","tag-sanz-serrano-m-jesus"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/82869","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=82869"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/82869\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=82869"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=82869"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=82869"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}