{"id":83123,"date":"2018-03-10T00:07:10","date_gmt":"2018-03-10T00:07:10","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/el-teatre-representant-a-la-ciutat-de-palma-des-de-laany-1955-al-1970\/"},"modified":"2018-03-10T00:07:10","modified_gmt":"2018-03-10T00:07:10","slug":"el-teatre-representant-a-la-ciutat-de-palma-des-de-laany-1955-al-1970","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/el-teatre-representant-a-la-ciutat-de-palma-des-de-laany-1955-al-1970\/","title":{"rendered":"El teatre representant a la ciutat de palma des de l\u00c2\u00bfany 1955 al 1970"},"content":{"rendered":"<h2>Tesis doctoral de <strong> M. Magdalena Alomar Vanrell <\/strong><\/h2>\n<p>La tesis estudia la vida teatral existente en la ciudad de palma durante 15 a\u00f1os, principalmente la decada de los 60. Est\u00e1 estructurada en dos vol\u00famenes.  el tomo i incluye una introducci\u00f3n que situa la epoca hist\u00f3rica, su problem\u00e1tica y evoluci\u00f3n. La primera parte presenta la organizaci\u00f3n teatral existente con todos los elementos implicados: marco legal, mundo empresarial, funcionamiento interno de compa\u00f1\u00edas, montaje, pol\u00edtica oficial, cr\u00edtica, etc. Finalmente, hay un an\u00e1lisis de la programaci\u00f3n con gr\u00e1ficos de representaci\u00f3n.  la segunda parte analiza la realidad esc\u00e9nica: por un lado, las obras de los grupos que no son de la isla, oficiales o profesionales, por otro, las obras de los autores isle\u00f1os en manos de grupos oficiales, privados o amateurs. Por ultimo, nos aproximamos al teatro escrito pero no representado.  el tomo ii comprende la cartelera teatral: los listados de obras, compa\u00f1\u00edas, autores y obras escenificadas por cada compa\u00f1\u00eda, treinta y cinco anexos; \u00edndice onom\u00e1stico.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>El teatre representant a la ciutat de palma des de l\u00c2\u00bfany 1955 al 1970<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 El teatre representant a la ciutat de palma des de l\u00c2\u00bfany 1955 al 1970 <\/li>\n<li><strong>Autor:<\/strong>\u00a0 M. Magdalena Alomar Vanrell <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Barcelona<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 27\/01\/2000<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Joaquim Molas Batllori<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: joan Mas i vives <\/li>\n<li>gallen Enric (vocal)<\/li>\n<li>pons Damia (vocal)<\/li>\n<li>pla Ramon (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de M. Magdalena Alomar Vanrell La tesis estudia la vida teatral existente en la ciudad de palma durante [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[951,104,713,222],"tags":[176325,101065,33896,176324,176327,176326],"class_list":["post-83123","post","type-post","status-publish","format-standard","hentry","category-barcelona","category-historia","category-historia-de-la-literatura","category-historias-especializadas","tag-gallen-enric","tag-joan-mas-i-vives","tag-joaquim-molas-batllori","tag-m-magdalena-alomar-vanrell","tag-pla-ramon","tag-pons-damia"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/83123","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=83123"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/83123\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=83123"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=83123"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=83123"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}