{"id":83182,"date":"2018-03-10T00:07:14","date_gmt":"2018-03-10T00:07:14","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/estudio-cientifico-de-la-pintura-mural-al-fresco-de-mariano-de-cossio-aportaciones-al-conocimiento-de-los-murales-del-siglo-xx-en-canarias\/"},"modified":"2018-03-10T00:07:14","modified_gmt":"2018-03-10T00:07:14","slug":"estudio-cientifico-de-la-pintura-mural-al-fresco-de-mariano-de-cossio-aportaciones-al-conocimiento-de-los-murales-del-siglo-xx-en-canarias","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/estudio-cientifico-de-la-pintura-mural-al-fresco-de-mariano-de-cossio-aportaciones-al-conocimiento-de-los-murales-del-siglo-xx-en-canarias\/","title":{"rendered":"Estudio cientifico de la pintura mural al fresco de mariano de cossio. aportaciones al conocimiento de los murales del siglo xx. en canarias"},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Jaudenes Ruiz De Atauri I\u00f1igo <\/strong><\/h2>\n<p>En el presente trabajo se analiza, en primer lugar, la pintura mural del siglo xx en canarias, haciendo un recorrido t\u00e9cnico por los principa\u00f1es pintores, entre los que se encuentran mariano de coss\u00edo, jes\u00fas arencibia, jos\u00e9, n\u00e9stor de la torre y l\u00f3pez ru\u00edz.  en segundo lugar, realiza un estudio cient\u00edfico de tres pinturas murales realizadas al fresco en canarias, dos de mariano de coss\u00edo, en la iglesia de santo domingo en la laguna y en el ayuntamiento de santa cruz de la palma, y uno de jes\u00fas, arencibia, en la iglesia de san juan en telde (gran canaria). Se obitenen diferentes conclusiones sobre el procedimiento pict\u00f3rico empleado, los pigm\u00f1entos y el estado de conservaci\u00f3n de los murales. El trabajo es el primero que se hace de estas caracter\u00edsticas en la indicada facultad de bellas artes.  en los tres murales estudiados, se presenta una propuesta particular y actualizada para la conservaci\u00f3ny restauraci\u00f3n de los mismos.  previamente a estos estudios, el autor realiza un desarrollo docente sobre la pintura mural al fresco y las t\u00e9cnicas anal\u00edticas m\u00e1s importantes, con temas como el procedimiento pict\u00f3rico, el mortero, los pigmentos y los an\u00e1lisis qu\u00edmicos tradicionales y por instrumentaci\u00f3n, aplicados a los objetos de arte.  finalmente se incluye una relaci\u00f3n bibliogr\u00e1fica de inter\u00e9s, debidamente actualizada y desglosada por temas.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Estudio cientifico de la pintura mural al fresco de mariano de cossio. aportaciones al conocimiento de los murales del siglo xx. en canarias<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Estudio cientifico de la pintura mural al fresco de mariano de cossio. aportaciones al conocimiento de los murales del siglo xx. en canarias <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Jaudenes Ruiz De Atauri I\u00f1igo <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 La laguna<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 31\/01\/2000<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Pedro Gonzalez Gonzalez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: venerando Gonzalez diaz <\/li>\n<li>catalina Ruiz perez (vocal)<\/li>\n<li>Mar\u00eda  teresa Escohotado ibor (vocal)<\/li>\n<li>  (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Jaudenes Ruiz De Atauri I\u00f1igo En el presente trabajo se analiza, en primer lugar, la pintura mural [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[147,9915,3806,1111],"tags":[10428,176430,6561,176431,2083],"class_list":["post-83182","post","type-post","status-publish","format-standard","hentry","category-ciencias-de-las-artes-y-las-letras","category-la-laguna","category-pintura","category-teoria-analisis-y-critica-de-las-bellas-artes","tag-catalina-ruiz-perez","tag-jaudenes-ruiz-de-atauri-inigo","tag-maria-teresa-escohotado-ibor","tag-pedro-gonzalez-gonzalez","tag-venerando-gonzalez-diaz"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/83182","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=83182"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/83182\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=83182"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=83182"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=83182"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}