{"id":83462,"date":"2018-03-10T00:07:35","date_gmt":"2018-03-10T00:07:35","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/teoria-y-practica-de-la-tragedia-neoclasica-1737-1754-la-academia-del-buen-gusto\/"},"modified":"2018-03-10T00:07:35","modified_gmt":"2018-03-10T00:07:35","slug":"teoria-y-practica-de-la-tragedia-neoclasica-1737-1754-la-academia-del-buen-gusto","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/linguistica\/teoria-y-practica-de-la-tragedia-neoclasica-1737-1754-la-academia-del-buen-gusto\/","title":{"rendered":"Teoria y practica de la tragedia neoclasica (1737-1754): la academia del buen gusto."},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Berbel Rodriguez Jos\u00e9 Juan <\/strong><\/h2>\n<p>Se estudia la contribucion del grupo innovador de la academia del buen gusto(ignacio de luzan, blas nasarre, agustin de montiano y luis jose velazquez) al nacimiento y desarrollo de la tragedia neoclasica en espa\u00f1a durante el periodo de 1737 a 1754.  para ello se analiza su aportacion a la teoria de la tragedia y de la poesia dramatica, a traves de la propuesta de tres elementos:  a) revalorizacion de los principios y reglas fundamentales de la poetica clasicista.  b)teoria de la corrupcion del teatro espa\u00f1ol  c) el concepto de \u00absiglo de oro\u00bb aplicado al siglo xvi  mientras que en el campo de la practica poetica se aborda el comentario de tres tragedias: la virtud coronada de luzan; virginia y ataulfo de montiano. con la triple intencion de comprobar:  1)apliacion de las reglas del poema tragico y posibles disonancias  2)rasgos tematicos mas importantes.  3)aspectos originales y distintivos del clasicismo dieciochesco con respecto a la variante francesa, o con respecto al barroco espa\u00f1ol.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Teoria y practica de la tragedia neoclasica (1737-1754): la academia del buen gusto.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Teoria y practica de la tragedia neoclasica (1737-1754): la academia del buen gusto. <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Berbel Rodriguez Jos\u00e9 Juan <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Almer\u00eda<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 21\/02\/2000<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Fernando Garcia Lara<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Francisco javier Blasco pascual <\/li>\n<li>joaquin Alvarez barrientos (vocal)<\/li>\n<li>angel Lama Miguel (vocal)<\/li>\n<li> Valles calatrava Jos\u00e9 Rafael (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Berbel Rodriguez Jos\u00e9 Juan Se estudia la contribucion del grupo innovador de la academia del buen gusto(ignacio [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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