{"id":84173,"date":"2000-10-04T00:00:00","date_gmt":"2000-10-04T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/el-drama-lirico-espanol-1900-1916\/"},"modified":"2000-10-04T00:00:00","modified_gmt":"2000-10-04T00:00:00","slug":"el-drama-lirico-espanol-1900-1916","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/el-drama-lirico-espanol-1900-1916\/","title":{"rendered":"El drama lirico espa\u00f1ol (1900-1916)"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Fedor Hlibner Daniel <\/strong><\/h2>\n<p>Entre las manifestaciones de disoluci\u00f3n de las fronteras de los g\u00e9neros literarios del fin de siglo destaca una serie de obras dram\u00e1ticas en las que se produce una aproximaci\u00f3n al g\u00e9nero l\u00edrico. La historiograf\u00eda espa\u00f1ola ha abordado este fen\u00f3meno reduci\u00e9ndolo, por lo general, a la dramaturgia en verso de tema hist\u00f3rico que se conoce como teatro po\u00e9tico y que est\u00e1 representada por autores como marquina, villaespesa o l\u00f3pez alarc\u00f3n. Sin embargo, esta no constituye sino una entre las varias posibilidades de poetizaci\u00f3n del drama. El objeto de la presente investigaci\u00f3n ha sido establecer, en cambio, un nuevo marco conceptual adecuado para la interpretaci\u00f3n de aquella otra producci\u00f3n dram\u00e1tica de signo l\u00edrico que es deudora, sobre todo, del simbolismo europeo. Para ello se ha partido de la noci\u00f3n de drama l\u00edrico propuesta en los estudios del cr\u00edtico alem\u00e1n peter szondi, que aqu\u00ed se delimitar\u00e1, no obstante, de forma m\u00e1s concreta a trav\u00e9s del an\u00e1lisis de las obras dram\u00e1ticas espa\u00f1olas. Esta noci\u00f3n se revela singularmente pertinente para dar cuenta de la heterogeneidad de un conjunto de modalidades dram\u00e1ticas que fueron cultivadas por algunos de los escritores m\u00e1s relevantes de las dos primeras d\u00e9cadas del siglo y que se analizan en este estudio; dramas est\u00e1ticos en un acto como las tragedias de ensue\u00f1o de p\u00e9rez de ayala o valle-incl\u00e1n, las piezas religiosas de los hermanos millares cubas o los dramas simbolistas de jacinto grau, goy de silva y g\u00f3mez de la serna: el drama legendario de impronta \u00e9pica (narrativa) que encontramos, por ejemplo, en las comedias b\u00e1rbaras o voces de gesta; as\u00ed como las danzas, pantomimas y farsas l\u00edricas como la marquesa rosalinda que participan de las tendencias reteatralizadoras del per\u00edodo.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>El drama lirico espa\u00f1ol (1900-1916)<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 El drama lirico espa\u00f1ol (1900-1916) <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Fedor Hlibner Daniel <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Zaragoza<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 10\/04\/2000<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Jes\u00fas Carlos Rubio Jim\u00e9nez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: leonardo Romero tobar <\/li>\n<li>Luis Iglesias feijoo (vocal)<\/li>\n<li>Luis angel Acosta gomez (vocal)<\/li>\n<li>Javier Serrano alonso (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Fedor Hlibner Daniel Entre las manifestaciones de disoluci\u00f3n de las fronteras de los g\u00e9neros literarios del fin [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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