{"id":84507,"date":"2000-12-05T00:00:00","date_gmt":"2000-12-05T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/carlos-pazos-el-ciclo-de-la-estrella-1975-1980\/"},"modified":"2000-12-05T00:00:00","modified_gmt":"2000-12-05T00:00:00","slug":"carlos-pazos-el-ciclo-de-la-estrella-1975-1980","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/carlos-pazos-el-ciclo-de-la-estrella-1975-1980\/","title":{"rendered":"Carlos pazos: el ciclo de la estrella (1975-1980)"},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Garrido De La Pe\u00f1a Catalina <\/strong><\/h2>\n<p>Durante la segunda mitad de la decada de los setenta, carlos pazos(barcelona, 1949) apoyandose en un cruce perverso entre el arte y la cultura popular, concibi\u00f3, interpret\u00f3 y realiz\u00f3 un sofisticado y convincente simulacro de la fama: el ciclo de la estrella.  este ins\u00f3lito ciclo artistico consistente en la recreaci\u00f3n nost\u00e1lgica de una ficticia estrella del \u00abstar system\u00bb, un decadente personaje impregnado de melancolico \u00abglamour\u00bb, esta compuesto por las sucesivas apariciones de este personaje y fue desarrollandose como un relato en doce entregas, estructurado en tres actos fundamentales: el lanzamiento, la fama y el ocaso. En el convergen unas muy particulares motivaciones biogr\u00e1ficas, junto con las s\u00f3lidas conclusiones de un especial proceso de formaci\u00f3n artistica, que se materializa gracias al uso heterodoxo y ecl\u00e9ctico de multiples influencias artisticas(neodadaismo, pop art, body art y arte de accion) en el entorno del arte conceptual y de los \u00abnuevos comportamientos artisticos\u00bb.  aunque las acciones, las fotografias y las instalaciones constituyen la caracterizaci\u00f3n basica del personaje de la estrella, carlos pazos complement\u00f3 esta caracterizaci\u00f3n con la creaci\u00f3n de un extenso repertorio de \u00absouvenirs\u00bb, fetiches y reliquias, supuestamente emanados por el ficticio personaje: tarjetas postales, corbatas bordadas,pa\u00f1uelos estampados, un tamp\u00f3n con la impronta de sus labios, modelos para \u00abpetit point\u00bb,moldes de escayola de su rostro y de sus manos, etc&#8230; Dando lugar, tanto desde el punto de vista de la intenci\u00f3n como desde el de sus resultados esteticos y narrativos, a una de las m\u00e1s coherentes y sugestivas aportaciones del arte espa\u00f1ol del ultimo tercio del siglo.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Carlos pazos: el ciclo de la estrella (1975-1980)<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Carlos pazos: el ciclo de la estrella (1975-1980) <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Garrido De La Pe\u00f1a Catalina <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Polit\u00e9cnica de Valencia<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 12\/05\/2000<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Juan  Bautista Peiro Lopez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Francisco Ba\u00f1os martos <\/li>\n<li>teresa Millet sancho (vocal)<\/li>\n<li>Carlos Plasencia climent (vocal)<\/li>\n<li> Llorens montoro Juan  vte. (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Garrido De La Pe\u00f1a Catalina Durante la segunda mitad de la decada de los setenta, carlos pazos(barcelona, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[147,104,1014,2563,222,3806,16820,1111],"tags":[31219,3811,178485,31393,178486,79581],"class_list":["post-84507","post","type-post","status-publish","format-standard","hentry","category-ciencias-de-las-artes-y-las-letras","category-historia","category-historia-del-arte","category-historia-del-arte-de-los-siglos-xix-y-xx","category-historias-especializadas","category-pintura","category-politecnica-de-valencia","category-teoria-analisis-y-critica-de-las-bellas-artes","tag-carlos-plasencia-climent","tag-francisco-banos-martos","tag-garrido-de-la-pena-catalina","tag-juan-bautista-peiro-lopez","tag-llorens-montoro-juan-vte","tag-teresa-millet-sancho"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/84507","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=84507"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/84507\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=84507"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=84507"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=84507"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}