{"id":84711,"date":"2018-03-10T00:09:03","date_gmt":"2018-03-10T00:09:03","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/dramaturgia-y-espectaculo-del-elogio-en-las-loas-de-agustin-de-salazar-y-torres\/"},"modified":"2018-03-10T00:09:03","modified_gmt":"2018-03-10T00:09:03","slug":"dramaturgia-y-espectaculo-del-elogio-en-las-loas-de-agustin-de-salazar-y-torres","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/linguistica\/dramaturgia-y-espectaculo-del-elogio-en-las-loas-de-agustin-de-salazar-y-torres\/","title":{"rendered":"Dramaturgia y espectaculo del elogio en las loas de agustin de salazar y torres"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Juditih Farre Vidal <\/strong><\/h2>\n<p>Los objetivos que nuestro estudio pretende pueden sintetizarse bajo dos epigrafes fundamentales: el analisis y la edicion de las loas completas de agustin de salazar y torres (1642-1675). La funcion panegirica resulta el criterio unificador basico que permite abstraer, tras el analisis, la sintesis de los principales rasgos que componen la tipolog\u00eda generica de la loa, seg\u00fan el espacio-palaciedo o particular- y las funciones propias de cada tipo de representacion.  la loa se plantea asi como una ficcion dramatica en la que las circunstancias que determinan la representacion se convierten en el argumento espectacular que sintetiza en el tablado los principales valores configuradores de la dramaturgia del elogio. Exponemos la loa como genero dramatico bajo diferentes perspectivas metodologicas surgidas, esencialmente, de la consideracion de su morfolog\u00eda, recepcion y funcion. Desde una concepcion semiotica de la escena barroca, en la que todos los niveles de la representacion se integran y conjuntan bajo la intencion panegirica, constatamos sus valores de sugerencia persuasiva, indicativos de una serie de codigos sociales y culturales ya establecidos. Por todo ello, resulta ineludible descifrar la archicodificacion del genero y la dilogia de sus valores espectaculares a partir del simbolismo iconico que propugnan los emblemas y demas formas de visualidad connotativa -fundamentalmente la pictorica de los retratos oficiales y la arquitectura efimera de las grandes entradas-.  en el apartado final de conclusiones abstraemos las concordancias respecto a otros autores con el proposito de sentar las bases de futuros estudios comparativos que, de forma sistematizada, puedan apuntar hacia la codificacion generica de la loa cortesana.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Dramaturgia y espectaculo del elogio en las loas de agustin de salazar y torres<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Dramaturgia y espectaculo del elogio en las loas de agustin de salazar y torres <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Juditih Farre Vidal <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Lleida<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 26\/05\/2000<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Josep Mar\u00eda Sala Valldaura<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: albert Porqueras mayo <\/li>\n<li>albert Blecua perdices (vocal)<\/li>\n<li> Lobato l\u00f3pez Mar\u00eda Luisa (vocal)<\/li>\n<li>agustin de la Granja lopez (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Juditih Farre Vidal Los objetivos que nuestro estudio pretende pueden sintetizarse bajo dos epigrafes fundamentales: el analisis [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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