{"id":84813,"date":"2000-02-06T00:00:00","date_gmt":"2000-02-06T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/discurso-historico-y-discurso-literario-el-caso-de-el-carnero\/"},"modified":"2000-02-06T00:00:00","modified_gmt":"2000-02-06T00:00:00","slug":"discurso-historico-y-discurso-literario-el-caso-de-el-carnero","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/discurso-historico-y-discurso-literario-el-caso-de-el-carnero\/","title":{"rendered":"Discurso historico y discurso literario. el caso de el carnero"},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Rey Pereira Carlos Alberto <\/strong><\/h2>\n<p>La primera parte del trabajo puede entenderse como una b\u00fasqueda de respuesta a la siguiente cuesti\u00f3n:\u00c2\u00bfen que circunstancias pasa una obra hist\u00f3rica a considerarse obra literaria?  se sostiene que toda la semejanza hallada entre discurso hist\u00f3rico y discurso literario no alcanza a empa\u00f1ar una diferencia b\u00e1sica: el discurso literario como \u00abpalabra en el tiempo\u00bb que ya no est\u00e1 para decir la historia y el discurso hist\u00f3rico como habla hist\u00f3rica cuyo objeto es la parcela de la realidad admitida que el hombre comprende como su pasado.  planteada la diferencia, siguiendo basicamente tres orientaciones te\u00f3ricas-semantica de la ficci\u00f3n, narratolog\u00eda y teor\u00eda de la lectura-se registran indicios o marcas que empujan a un colectivo a catalogar una obra como perteneniente a determinado tipo de discurso.  desde la teor\u00eda, se demuestra c\u00f3mo en el contexto de la practica historiografica del renacimiento, extendida hasta el barroco, domina en el carnero una red de marcas de historicidad. Las marcas de ficci\u00f3n son leves y pueden entenderse como licencias narrativas admisibles. Elementos que no son marcas de ficci\u00f3n dotan a la obra, sin embargo, de un valor est\u00e9tico. La tem\u00e1tica del deseo, la construcci\u00f3n de eficaces tramas narrativas, la carga simb\u00f3lica de algunas im\u00e1genes y el car\u00e1cter sat\u00edrico del conjunto hacen que el carnero, como todo objeto est\u00e9tico, no se deje ordenar en categorias cognoscitivas, eticas o utilitarias.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Discurso historico y discurso literario. el caso de el carnero<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Discurso historico y discurso literario. el caso de el carnero <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Rey Pereira Carlos Alberto <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Aut\u00f3noma de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 02\/06\/2000<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Teodosio Fernandez Rodriguez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: tomas Albaladejo mayordomo <\/li>\n<li>Francisco Tovar blanco (vocal)<\/li>\n<li>trinidad Barrera lopez (vocal)<\/li>\n<li> Rocio oviedo perez de tudela (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Rey Pereira Carlos Alberto La primera parte del trabajo puede entenderse como una b\u00fasqueda de respuesta a [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[148,147,2965,628],"tags":[1233,178955,6348,4849,4759,11168],"class_list":["post-84813","post","type-post","status-publish","format-standard","hentry","category-analisis-literario","category-ciencias-de-las-artes-y-las-letras","category-estilo-y-estetica-literarios","category-teoria-analisis-y-critica-literarios","tag-francisco-tovar-blanco","tag-rey-pereira-carlos-alberto","tag-rocio-oviedo-perez-de-tudela","tag-teodosio-fernandez-rodriguez","tag-tomas-albaladejo-mayordomo","tag-trinidad-barrera-lopez"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/84813","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=84813"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/84813\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=84813"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=84813"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=84813"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}