{"id":84820,"date":"2000-02-06T00:00:00","date_gmt":"2000-02-06T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/lo-ceramico-como-medio-de-expresion-y-concepcion-escultorica-los-ultimos-veinte-anos-en-valencia\/"},"modified":"2000-02-06T00:00:00","modified_gmt":"2000-02-06T00:00:00","slug":"lo-ceramico-como-medio-de-expresion-y-concepcion-escultorica-los-ultimos-veinte-anos-en-valencia","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/lo-ceramico-como-medio-de-expresion-y-concepcion-escultorica-los-ultimos-veinte-anos-en-valencia\/","title":{"rendered":"Lo ceramico como medio de expresion y concepcion escultorica. los ultimos veinte a\u00f1os en Valencia"},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Misas Ubeda Juan  Vicente <\/strong><\/h2>\n<p>Analiza como los procesos tecnicos y expresivos en las practicas ceramicas se instalan en la escultura y como desde un recorrido historico e internacional va concentrandose en los ultimos veinte a\u00f1os en la escultura Valenciana. se imponia por lo tanto un desarrollo en profundidad de la evoluci\u00f3n tecnica, tecnolog\u00edca y procesual de los procesos ceramicos, de c\u00f3mo se instalaron en la historia de los pueblos.  finalmente desde la conjunci\u00f3n de lo ceramico en la escultura se presenta un analisis reduccionista en el panorama internacional para concluir en el periodo que anuncia el titulo de la investigacion.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Lo ceramico como medio de expresion y concepcion escultorica. los ultimos veinte a\u00f1os en Valencia<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Lo ceramico como medio de expresion y concepcion escultorica. los ultimos veinte a\u00f1os en Valencia <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Misas Ubeda Juan  Vicente <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Polit\u00e9cnica de Valencia<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 02\/06\/2000<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Pablo Rafael Sede\u00f1o Pacios<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: jose Esteve edo <\/li>\n<li>angel Garraza salanueva (vocal)<\/li>\n<li>carmen P\u00e9rez Garc\u00eda (vocal)<\/li>\n<li> Liste fernandez araceli mercedes (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Misas Ubeda Juan Vicente Analiza como los procesos tecnicos y expresivos en las practicas ceramicas se instalan [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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