{"id":84905,"date":"2000-08-06T00:00:00","date_gmt":"2000-08-06T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/los-graffiti-y-la-pintura-analoga%c2%adas-y-apropiaciones-desde-dada-hasta-los-anos-ochenta-investigacion-teorico-practica\/"},"modified":"2000-08-06T00:00:00","modified_gmt":"2000-08-06T00:00:00","slug":"los-graffiti-y-la-pintura-analoga%c2%adas-y-apropiaciones-desde-dada-hasta-los-anos-ochenta-investigacion-teorico-practica","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/los-graffiti-y-la-pintura-analoga%c2%adas-y-apropiaciones-desde-dada-hasta-los-anos-ochenta-investigacion-teorico-practica\/","title":{"rendered":"Los graffiti y la pintura: analogias y apropiaciones desde dada hasta los a\u00f1os ochenta. (investigaci\u00f3n te\u00f3rico-pr\u00e1ctica)"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Miguel Angel Maestre Yago <\/strong><\/h2>\n<p>La presente tesis propone un estudio comparativo entre los graffiti populares y la pintura del siglo xx, concretamente desde el dada\u00edsmo hasta la pintura de los a\u00f1os ochenta.  la tesis comienza un estudio global del concepto fraffiti: de sus aspectos sociol\u00f3gicos, psicol\u00f3gicos, tecnicos, simbolicos, escriturares, iconograficos&#8230;  tras el anterior capitulo de introduccion al amplio campo del graffiti, investigamos, en los siguientes capitulos, reparando en obras y declaraciones verbales de artistas pertenecientes al dada\u00edsmo, el surrealismo hist\u00f3rico, el expesionismo abstracto y la pintura informalista, el neodadaismo pre-pop art y la pintura de la decada de los ochenta(neoexpresionismo aleman, transvarguardia italiana, neoprimitivismo americano, asi como en el panorama espa\u00f1ol.)  por otro lado, la tesis incluye una selecci\u00f3n de la propia obra pictorica del doctorado como via alternativa y complementaria de investigacion sobre el tema de la tesis. De este modo, nuestras pautas de investigaci\u00f3n se fundamentan en el analisis teorico y racional sobre la relacion arte\/graffiti, al tiempo que investigamos mediante la practica teorica atendiendo a postulados enteramente experimentales y subjetivos.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Los graffiti y la pintura: analogias y apropiaciones desde dada hasta los a\u00f1os ochenta. (investigaci\u00f3n te\u00f3rico-pr\u00e1ctica)<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Los graffiti y la pintura: analogias y apropiaciones desde dada hasta los a\u00f1os ochenta. (investigaci\u00f3n te\u00f3rico-pr\u00e1ctica) <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Miguel Angel Maestre Yago <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Polit\u00e9cnica de Valencia<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 08\/06\/2000<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Juan  Bautista Peiro Lopez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: joan Gari clofent <\/li>\n<li>constancio Collado jare\u00f1o (vocal)<\/li>\n<li>edurne Uria urraza (vocal)<\/li>\n<li>enric Alfons garcia (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Miguel Angel Maestre Yago La presente tesis propone un estudio comparativo entre los graffiti populares y la [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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