{"id":86223,"date":"2018-03-10T00:10:46","date_gmt":"2018-03-10T00:10:46","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/jose-lezama-lima-la-escritura-de-lo-posible\/"},"modified":"2018-03-10T00:10:46","modified_gmt":"2018-03-10T00:10:46","slug":"jose-lezama-lima-la-escritura-de-lo-posible","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/jose-lezama-lima-la-escritura-de-lo-posible\/","title":{"rendered":"Jos\u00e9 lezama lima: la escritura de lo posible"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Remedios Mataix Azuar <\/strong><\/h2>\n<p>La tesis ofrece un recorrido a trav\u00e9s de la obra de jos\u00e9 lezama lima, desde muerte de narciso(1973) hasta el poemario p\u00f3stumo fragmentos a su im\u00e1n(1977), prestando especial atenci\u00f3n al pensamiento cultural del autor y al desarrollo del mismo a trav\u00e9s del proyecto fraguado en torno a la revista or\u00edgenes, as\u00ed como a las relaciones de ambos aspectos con el contexto hist\u00f3rico-literario (cubano e hispanoamericano) en que se insertan. Se proponen nuevas claves de comprensi\u00f3n de la obra de lezama, a trav\u00e9s del an\u00e1lisis de lo que significaron para el autor los grandes nombres de la tradici\u00f3n cubana (jos\u00e9 mart\u00ed, julian del casal), los movimientos de vanguardia, la cultura espa\u00f1ola coet\u00e1nea(juan ram\u00f3n jim\u00e9nez, jos\u00e9 ortega y gasset, mar\u00eda zambrano, la generaci\u00f3n del 27) y el contexto inmediato en que desarroll\u00f3 su labor cultural: el de la cuba de los a\u00f1os cuarenta, cincuenta y sesenta, unas d\u00e9cadas convulsas y decisivas para la historia del pa\u00eds.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Jos\u00e9 lezama lima: la escritura de lo posible<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Jos\u00e9 lezama lima: la escritura de lo posible <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Remedios Mataix Azuar <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Alicante<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 31\/07\/2000<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Jos\u00e9 Carlos Rovira Soler<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: teodosio Fernandez rodriguez <\/li>\n<li>eduardo Becerra grande (vocal)<\/li>\n<li>Francisco Tovar blanco (vocal)<\/li>\n<li>\u00e1ngel lu\u00eds Prieto de paula (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Remedios Mataix Azuar La tesis ofrece un recorrido a trav\u00e9s de la obra de jos\u00e9 lezama lima, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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