{"id":86227,"date":"2018-03-10T00:10:46","date_gmt":"2018-03-10T00:10:46","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-musica-en-la-catedral-de-valladolid-en-el-siglo-xix-antonio-garcia-valladolid\/"},"modified":"2018-03-10T00:10:46","modified_gmt":"2018-03-10T00:10:46","slug":"la-musica-en-la-catedral-de-valladolid-en-el-siglo-xix-antonio-garcia-valladolid","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/la-musica-en-la-catedral-de-valladolid-en-el-siglo-xix-antonio-garcia-valladolid\/","title":{"rendered":"La musica en la catedral de valladolid en el siglo xix: antonio garcia valladolid."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Victoria Cavia Naya <\/strong><\/h2>\n<p>Estudio de los fenomenos musicales localizados en la catedral de valladolid durante el siglo xix, acudiendo a la metodolog\u00eda historica y musicologica. el analisis y descripcion de la vida musical de la catedral castellana aborda los aspectos sociales y tecnicos desde la organizaci\u00f3n institucional, administrativa y liturgica, teniendo en cuenta su insercion en la propia dinamica de la ciudad y los eventos historicos. Asimismo, se aporta un estudio especifico sobre el maestro de capilla que durante mas tiempo desempe\u00f1o el cargo: antonio garcia valladolid(1805-1876). Se adjuntan numerosos ejemplos de las obras mas significativas de este compositor y dos ediciones completas de piezas de su repertorio. Se incluye adem\u00e1s, el catalogo de obras de garcia valladolid, en el que destaca sobre todo su amplia produccion de villancicos: un genero que no abandono desde su llegada a valladolid en 1827 hasta su muerte en 1876.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La musica en la catedral de valladolid en el siglo xix: antonio garcia valladolid.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La musica en la catedral de valladolid en el siglo xix: antonio garcia valladolid. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Victoria Cavia Naya <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Valladolid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 31\/07\/2000<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Mar\u00eda Antonia Virgili Blanquet<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal:  De la plaza Santiago Francisco javier <\/li>\n<li>victoria Eli rodr\u00edguez (vocal)<\/li>\n<li>Francisco Javier Su\u00e1rez pajares (vocal)<\/li>\n<li>Mar\u00eda Gembero ustarroz (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Victoria Cavia Naya Estudio de los fenomenos musicales localizados en la catedral de valladolid durante el siglo [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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